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inmate profile: Naomi Selfman

Continuing my pledge to spotlight the creative forces behind next week's release of the promisingly-raunchy Barely Legal, here's another inmate profile, though shrouded in a tad bit of mystery. Naomi Selfman, the scribe behind this impending laugh-riot, has written half a dozen films for The Asylum, yet there's virtually no information about her online. This picture is the best I could find, and I only found that when out of frustration I Googled "mystery woman." Could be that "Naomi Selfman" is a pen name for another writer, or it could be that Ms. Selfman is just a digitally private person? Either way, the only purported sighting of her is said to come in the making-of featurette for her first script for The Asylum, the horror film Evil Eyes, but I didn't have immediate access to that when I wrote this.

Whoever she is, Ms. Selfman has time and again illustrated her ability to work across genres - be it horror, comedy, sci-fi or creature features - and turn in compelling, convincing, empathetic and exciting stories every time out. 

After Evil Eyes, Ms. Selfman took a four-year hiatus from screenwriting before contributing the story for the Faith Films epic 2012: Doomsday. Since then, it's been full-steam ahead for Ms. Selfman, writing five scripts in two years: the other raucous sex comedies 18 Year-Old Virgin and #1 Cheerleader Camp, the two biggest creature features of the last year, Mega Shark vs. Crocosaurus and Mega Python vs. Gatoroid, and of course, Barely Legal.

I've got a lot of favorites when it comes to The Asylum - that should be annoying obvious by now - and the work of Ms. Selfman is among them. As a writer (A Haunting in Salem, out 10/4/11), I'm envious of her versatility; as an Asylum freak, I'm excited every time her name pops up.

Get excited with me next Tuesday, when Barely Legal pops up on DVD.

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