Exclusive Interview with AGE OF DINOSAURS Director Joseph Lawson!

If you're an Asylum fan, Joseph Lawson needs no introduction. But in case there are a few newbies aboard - welcome - here's the rundown: after a few years in charge of The Asylum's VFX department, a reign that produced the best visuals in the studio's 15-year history, Lawson added Director to his resume, standing at the helm of two of The Asylum's most talked-about films of the last couple years - Nazis at the Center of the Earth,and Clash of the Empires (nee Age of the Hobbits). After tackling robo-Hitler and lilliputian warriors, Lawson now turns his eye to prehistoric terrors amok in our modern world with the fantasy-disaster flick Age of Dinosaurs, starring Treat Williams (Hair, Deep Rising, Everwood), Jillian Rose Reed (Awkward, Weeds) and the always-awesome Ronny Cox (Robocop, Total Recall, Beverly Hills Cop 1 & 2). In advance of the film's release next week, Mr. Lawson was kind enough to spend a few minutes discussing his work with Committed:


COMMITTED: What can you tell us about the story of Age of Dinosaurs?
 
JOSEPH LAWSON: The story of AoD is that a father and daughter who definitely love each other though they've grown apart since the death of the mom must re-establish bonds and repair their relationship. With Dinosaurs. Okay, a LOT of dinosaurs. It's a pretty ambitious film with a number of threads including a harried police chief, the president of Geneti-Sharp who must reconcile his drive to save his company with what he has wrought, his minions and team plus a few other characters who each deal with their own fates in the face of a dinosaur herd... plus a particularly driven and vengeful Carnotaurus named Larry. I think folks will find a lot to have fun with in this movie. There are also a lot of homages to keep an eye out for, just like my previous flicks (Clash of the Empires and Nazis at the Center of the Earth).
 
C: Your last film - Clash of the Empires - had you traveling to Southeast Asia to shoot; where did AoD shoot, and how long of a shoot was it?
 
JL: Age of Dinosaurs was a 15 day shoot in Los Angeles and at East L.A. College, then a couple of days on a ranch out on the way to Pasadena. It was nice to be close to home even though the production was so tight on the heels of Clash of the Empires it was a real challenge to be prepared in time  Fortunately, everyone had the same goal... to make the best dinosaur film we could with the time and resources we had. I feel the film looks like we spent a LOT more time shooting than we actually did and that's a credit to everyone in production.
 
C: What drew you to the project?
 
JL: I've always enjoyed dinosaur films where characters have to work things out while being chased. When the film showed up on our schedule I hoped it would be possible to direct though we have a lot of other excellent directors who were also interested. For whatever reasons the producers... thanks, gents... let it fall to me to get done. The other thing is that I was able to eke out from the first draft enough potential for emotional impact that it made it a good match for my sensibilities as a storyteller. In the director polish rewrites we added more interplay between father and daughter. Then on set there was a great chemistry between Treat Williams and Jillian Rose Reed and a genuinely magical moment that still brings tears to my eyes. Getting to work with Ronny Cox was also an amazing joy, an absolute gentleman on set and incredible to learn from (along with Treat). Overall, the fact that I was blessed to do a bona fide dinosaur film with such a great and motivated cast, crew and post teams made all the challenges worthwhile.
 
C:  What kind of rad VFX can we expect?
 
JL: A lot of dinosaur shots, a lot of chomping action, some smart dinos, some not so smart dinos, the obligatory Asylum helicopter destruction or two, some shots that I think are among our best. David Michael Latt said epic, big so we did our best to deliver. He actually joked that our trailers are supposed to only be two minutes and the one for AoD was going to be 14...  and that the trailer Brian Brinkman did was great and the movie actually delivered on the promise. I hope folks watching it will feel the same. Overall, it's great work from modeler Ken Brilliant, animators Dan Peters, Steve Clarke and John Karner with great VFX from Sasha Burrow, Aaron Witlin, Paul Knott and compositors Aine Graham and Derek Serra. I'm also thrilled with the sound design from our sound teams and Chris Ridenhour's score is just the right music for a JP 3.5 wannabe.  ;-)
 
C: Were there any dinosaur movies you grew up loving, and did they have any influence on AoD?
 
JL: Valley of Gwangi, King Kong, ALL the Jurassic Park films.... anything where genuinely animated dinosaurs or great practical puppet work were the visual effects, not lizards with cardboard on the back. In the credits we say thank you to all the pioneers upon whose shoulders we humbly stand as filmmakers and visualists.
 
C: What's on the horizon for you? Any new projects in the works?
 
JL: Nothing concrete at the moment... a possible bigger budget science fiction actioner in the near future. They're also letting me write and hopefully direct a World War 2 movie in 2014 that could harken back to all the epic films I enjoyed growing up like Patton, Von Ryan's Express, Battle of the Bulge, The Great Escape... and, of course, always with a heart at the soul of it.


Age of DInosaurs hits DVD and Blu-Ray this coming Tuesday, May 7th. From the sound of things, we'd all be damn fools to miss it.

Age of the Hobbits Postponed

Well, due to a recent legal decision, Age of the Hobbits, set to be released tomorrow, has been officially postponed. This doesn't mean scratched, only that it will be a couple of months before the general public can see it, and then it will be under another, as yet undetermined name. This is a big shame, because not only is the film quite good, other than its title it bears no resemblance whatsoever to Jackson's latest Tolkien flick. Fret not, though, as I said, this does not mean the film will never be seen, only that it won't be seen tomorrow. Trust me, it's worth the wait.

Exclusive Interview with AGE OF THE HOBBITS Director Joseph Lawson!

Without a doubt, one of the best Asylum films to date - not just this year, but ever - is Nazis at the Center of the Earth. This mindbending adventure-sci-fi flick commanded international attention and is often the first film mentioned when people (like me and my friends) talk about the Asylum-renaissance that's been transpiring this year: a blend of better stories, better effects, and better direction.

In the case of NATCOTE, the director in question was Joseph Lawson - supervisor of the studio's in-house VFX department - working off a script from Asylum producer Paul Bales (Sherlock Holmes, Legion of the Dead). The film was Lawson's first at the helm, and was quickly recognized as the work of a great new director. Lawson returns this December with the hotly-anticipated Age of the Hobbits, an old-world tribal epic from the pen of Eric Forsberg (MegaPiranha, Almighty Thor). He was kind enough to take time out of his scarily-hectic schedule to talk to Committed about his career, passion for filmmaking, and AotH.

COMMITTED: First of all - my readers are dying for any tidbits you can give about the concept or plot of Age of the Hobbits.

Joseph Lawson: Think Apocalypto meets Frank Frazetta by way of David Lean and Steve Spielberg with a healthy dose of John Carpenter and Sam Raimi... a fantasy and creature battle epic somewhat inspired by the true scientific paleontological Homo Floresiensis living in Indonesia of 12,000 years ago. It's all through the Asylum filter, of course, including scientifically accurate winged and flying Komodo dragons. It's a very exciting Eric Forsberg script with gorgeous cinematography by Richard Vialet and it was an adventure to shoot!

 
C: What drew you to visual effects? What steps did you take to turn your interest into a career?

JL: I've been interested in both VFX and directing since I was 10, easy. The kids in J.J. Abrams' Super 8? That was me. The first thing I committed to Super 8 film was a visual effect Star Trek Starship, rechristened The Hood, NCC 1707, and I directed the one reel film with friends in it as well. It was the first of many including a jungle war movie in the depths of Okinawa. Over the years, everything has been grist for that mill... making choices that allowed for opportunities to write, direct, act, edit, do visual effects. Commercials at KRTV-3 in Great Falls, Montana... my own animation business... working for Foundation Imaging on and CG directing an episode of Roughnecks: The Starship Troopers Chronicles... so many great opportunities to work with hundreds of people far more talented and capable than I to learn as much as possible.

The first thing, though, is you have to commit to the path. I truly believe that luck is where opportunity and preparation meet for those willing to grasp at the brass ring. It's not just about being at the right place at the right time... it's about training enough so that when you DO say "hey, give me a chance, please..."  to folks willing to take a chance on you, you've both earned it and are ready for it.

My wife forwarded me another saying shortly after taking on this film... "Don't just follow your dreams, lead them." I've been blessed to get that opportunity more than a few times.
 
C: How did you come to work with The Asylum?

JL: I was brought aboard in 2010 by another great artist and VFX supervisor, Mark Kochinski (now at Disney) to help start up the facility in-house. At the time, my only familiarity with Asylum was Pirates of Treasure Island, which I'd rented about a month before even KNOWING there was an Asylum. It took a bit of convincing to get me aboard. It was a challenging start with lots of technical and time hurdles to overcome but over the years we've been able to build an amazing little group of folks who accomplish far more with the resources and time than I think they'll ever get fair credit for. The producers, Latt, Rimawi and Bales, have given us a lot of support and patience as we've learned and grown with each new challenge. We strive to get better every show and, on the whole, I think our trend has been upward hopefully with good entertainment results.
 
C: What's been the hardest part about transitioning from VFX supervisor to director? What's been the best part?

JL: The hardest part is leaving behind such a great group of people in the department. We have a lot of fun in VFX while hunkering down to meet the deadlines. It's also hard to switch gears from juggling up to five films at once to suddenly concentrating on one exclusively and away from everything you know. And being away from my personal family on Age was a challenge, though my wife and kids, God bless them, are the biggest supporters of this crazy dream.

The best part, besides just the absolute "this is what I was born to do" joy of directing, is getting to know and respect even more than ever the folks in production and what THEY have to do to get an Asylum film done. Watching the dedication and artistry of people like line producer Anthony Fankhauser, the make-up work of Haley O'Neil, the stunts of Jerry Earr, the various folks on our Cambodian cast and crew and the amazing things sound man Alex Hutchinson has to do to get great audio is humbling and educational. It's probably one of the best and most challenging film schools on the planet, for those with the iron will to take it on. 

In post, working with Rob Pallatina a second time in editorial has been great because we've developed such a fantastic shorthand as a team. The Chris Ridenhour score is an emotional, orchestral and auditory powerhouse. The sound departments' creations are a wonderful ear loving canvas, the color correction by Mark Quod and his crew is rich and gorgeous, and the disc work by David Courtice is really cool.

One should also always remember behind the scenes folks like Judith, Kala, Courtney and Kendall who handle all the heavy lifting of getting the film distributed, seen and sold. There are so many more good folks at The Asylum giving them all their deserved kudos could fill THREE of these interviews!

So, it all comes down to storytelling and characters or situations you enjoy spending time with... and co-workers you enjoy spending even MORE time with.
 
C: How do you select the projects you direct? What draws you to a project?

JL: I select being involved with any project based on two sets of things... is the story cool/fun/exciting/emotionally compelling and does at least one part genuinely make me cry (and not out of pain) or laugh. If that happens... and my wife Kelly has been there when I cried as a result of character situations for both Nazis, Age and the next one... then I feel like maybe something can be drawn out that will similarly touch the audience. Ultimately, whether a film has an Asylum budget or a two hundred million budget, if you care about the characters then people will be entertained. 

What draws me to it in the first place is the ability to create good, strong visuals and weave a story no matter what the limitations. That and for Age, Latt handed me a piece of notepaper with this list: 1. You  2. Direct 3. AotH  4. Cambodia. Both Rimawi and Bales also seemed pretty excited by the prospect. Who can resist that? 
 
C: Who are some of your favorite/most inspirational directors?

JL: David Lean. Steven Spielberg. Peter Jackson. James Cameron. Robert Wise. J.J. Abrams. John Landis. John Carpenter. Robert Rodriguez. Peter Weir. Ridley Scott. I could honestly go on and on but those would be the folks whose films have most affected my vision and approach over the years. Ultimately, every director has had an effect whether it's in the inspirational vein or the Mystery Science Theatre school of how NOT to make movies. I just hope when my turn comes at the bigger bat, I'm qualified to hold even a tiny little candle to their amazing creations.

C: You shot AotH on location in Cambodia; what sort of challenges did you face shooting in a foreign country with a presumably small crew?

JL: Snakes. Land mines. Goats. Dangerous pot-hole filled travel. Rugged hikes.  Monsoons. Sketchy food. A very long plane flight. Lots of shots. Wait, why DID we do this?  Simple: at age 49 David Lean shot Bridge on the River Kwai just north in Burma... so while it's a huge bar to aim for in 15 days, it's also the fulfillment of a personal lifelong dream... to shoot with epic scope in a far off land not seen by many western cameras for a feature style film. Cambodia is one of those last best places so we have a GREAT and enthusiastic crew with a mix of Asylum vets and new eyes. We've gotten some fun stuff to see and the hope is that the end result of a cool action movie makes all the challenges worth it.

 
C: Anything you can tell us about the release?
 
JL: It's a feature packed disc, this DVD/Blu Ray.  There's a gag reel, a really sweet making of by Cody Peck, the really-sells-it-but-doesn't-tell-it kick-butt cool trailer by Brian Brinkman, four deleted scenes and a commentary where I get to sit in with editor Rob Pallitina and the wonderful Christopher Judge (who played Amthar) to have a lot of fun... with a surprise appearance by Richard Vialet, our DP. It'll also be on VOD and at Redbox (under a different title, I believe) all on December 11th.
 
C: Any Joe Lawson dream projects or people you're dying to collaborate with?

JL: I have a ton of personal story ideas and projects I'd love to do, as any writer/director does, and world building of places we HAVEN'T already gone would be a great opportunity and challenge. Playing in other folks realms, though, I'd be thrilled to get to direct a Game of Thrones episode (or five or ten), or to be part of a Star Wars live action series... and I'd actually love to have the chance to revisit a very familiar place with a different take on NATCOTE... but beyond that, someday I look forward to having the chance to pitch, write and direct the ideas and stories that I've gathered over the years.

As far as collaborating, well...  it can be the most fun part of the job and there are so many talented and creative folks in so many disciplines here at the Asylum and elsewhere. To work with any of the living folks on my director list would be a dream of a lifetime.

Heck, if Peter Jackson saw fit to take some time to watch this latest little film, THAT would be truly amazing... and he could return the favor of putting an arrow through MY chest in some future film. Consider him humbly and respectfully invited to do so. 

More importantly, though, in the spirit of encouraging folks to take a chance on their own dreams: get out there and get that ball rolling because the filmmakers I most look forward to collaborating with someday are, Mr., Miss and Mrs. Reader:  YOU!



Lawson's next feature is Age of the Dinosaurs: "Age of Dinosaurs, which is now in post, stars Treat Williams (Prince of the City, Deep Rising, 1941, Hair and TVs Everwood), Ronny Cox (Robocop, Total Recall, Deliverance) and Jillian Rose Reed (Awkward, Weeds) and was written by northwesterner Hank Woon. Set to release in May, 2013, it's the simple tale of a father and daughter rediscovering their love for each other in a city filled with rampaging dinosaurs. For his third film in one year Joe reteams with cinematographer Richard Vialet (AotH), editor Rob Pallatina (NATCOTE and AotH) and composer Chris Ridenhour for this action adventure through the streets of Los Angeles. We like to think of it as Jurassic Park 3.5."


Age of the Hobbits, as Mr. Lawson said, is out on DVD, Blu-Ray and VOD December 11th. Get your hands on a copy for what promises to be a truly epic adventure.

40 Days and Nights out today!

Even though we're on the cusp of December, there are still three Asylum releases slated for 2012, which means that beginning today, we get three straight weeks of brand spankin' new movies from our favorite independent studio.

The streak starts today with global-flood pic 40 Days and Nights, starring Monica Keena and Alex Carter, written by H. Perry Horton (that's me) and directed by Peter Geiger.

The next week we get 12/12/12, an apocalyptic horror/thriller from writer/directer Jared Cohn, the mastermind behind Born Bad and Bikini Spring Break, and also the director of The Asylum's first theatrical release, #HoldYourBreath.

And then the Tuesday after that, December 11th, there's the highly-anticipated Age of The Hobbits, from director Joseph Lawson (Nazis at the Center of the Earth) and writer Eric Forsberg (Mega Piranha, Almighty Thor), and starring Christopher Judge and Bai Ling.

So, as you can see, there's still a lot of awesome stuff to come this year from The Asylum. Start things off right with 40 Days and Nights, available now on DVD, Blu-Ray and VOD.

AGE OF THE HOBBITS Gets a Poster!

With only a little over a month before its December 11th street date, Age of the Hobbits has gotten itself a swanky poster. Dig it:

Pretty f'n epic, if you ask me. This film - one of the most original in the studio's catalog, in terms of mockbuster spin - comes courtesy of an Asylum dream team: director Joseph Lawson (the incredible Nazis at the Center of the Earth) and inventive screenwriter Eric Forsberg (Alien Abduction, Mega Piranha, Almighty Thor), and stars Christopher Judge (the Stargate TV show) and Bai Ling (one of the newer Star Wars, Crank Deuce).

December 11th is the day. Mark your calendars.

4 New Asylum Trailers on YouTube!

Head over to The Asylum's YouTube channel now for a peek at FOUR upcoming Asylum projects,including Jared Cohn's hella-creepy-looking 12/12/12, Director Joseph Lawson and writer Eric Forsberg's beautiful and epic Age of the Hobbits, writer Jose Prendes' Hansel and Gretel, and the trailer for my - H. Perry Horton - next Asylum script 40 Days and Nights. 

All four of the films will be out by the end of the year, and from the looks of them, it's going to be an awesome end to 2012. Viva Asylum!!!

Tons of Info on Upcoming Asylum Films!

It's going to be a busy end of the year for The Asylum, and things kick into high gear in only ten days, with the release of the studio's first ever theatrical effort, #HoldYourBreath, written by Geoff Meed (I Am Omega, 6 Guns), directed by Jared Cohn (Born Bad, Bikini Spring Break) and starring Katrina Bowden (30 Rock, Tucker and Dale vs. Evil). In another studio first, the movie has its very own website, complete with pretty much everything you'd want to know about the film.

After #HoldYourBreath, the next studio picture seems to be something called Layover, premiering on the Lifetime Network October 11th at 8 p.m. Though The Asylum doesn't have a page up on their site, according to IMDB, the film stars Lauren Holly (Picket Fences, Dumb & Dumber), Joe Lando (Dr. Quinn Medicine Woman, Meteor Apocalypse), Kaylee DeFer (Gossip Girl) and Gerald Webb (pretty much every Asylum movie of the last two years). No plot details available at present.

After that, there's another TV premiere, on SyFy this time, where the studio's latest undead drama, Rise of the Zombies, bows October 27th at 9 p.m. This one comes courtesy of Zombie Apocalypse director Nick Lyon and 11/11/11 writer Keith Allan. Levar Burton (Star Trek Next Generation, Reading Rainbow) and Mariel Hemingway (Manhattan, Star 81) star.

Then, there's The Asylum's next DVD release, 40 Days and Nights, which is going to be AWESOME, not just because I wrote the screenplay, but because really, how can a global flood movie not be awesome? Anyway, we're finally seeing a poster for this one, and it's pretty badass. Check it:

The film stars Monica Keena (Freddy vs Jason) and Alex Carter (CSI), is directed by Peter Geiger, and streets on November 27th, just in time for the holiday season.

And we're still not done. Next on DVD there's Jared Cohn's hellspawn drama 12/12/12, which itself got a pretty awesome poster:

 

That shit right there is just wicked. That baby looks like it wants to eat my soul, slowly, with its eyes. Get ready for this one to make you abstinent starting December 4th.

Two more to go, hang on...one week after 12/12/12, we get Age of the Hobbits, for my buck the studio's most ambitious and ingenious mockbuster yet, written by the great Eric Forsberg (Mega Piranha, Almighty Thor) and directed by Joseph Lawson, who after Nazis at the Center of the Earth is The Asylum's director to watch. No poster on this one, but we did get the first stills from production today. Check them out right here. Bai Ling (Crank 2) and Christopher Judge (Stargate) star.

And last but not least, we finally have some news on Hansel and Gretel. Dig the plot: "In this modern retelling of the classic horror tale, teen siblings are enslaved by a psychotic recluse within her gruesome house of horrors in the woods."

Sounds good to me. The film comes from writer Jose Prendes, who wrote and directed the excellently creepy Haunting of Whaley House, and director Anthony Ferrante (Boo, Headless Horseman). This will be The Asylum's first film of 2013 - assuming we get to 2013 - and is slated to come out January 8th. Dee Wallace (Eliott's mom in E.T.) and Stephanie Greco (Whaley House) star.

And that's it. For now.   

 

Details on 4 New Asylum Projects

Lots of new over at The Asylum page today, where we get cast, crew and plot details on 4 upcoming productions; let's just get into it, shall we?

#holdyourbreath: This is The Asylum's theatrical debut, written by Geoff Meed and directed by Jared Cohn. 

The plot: "A group of friends on a roadtrip explore a cemetery where the ghost of a notorious serial killer jumps from body to body, killing his victims one by one."  

The stars: Katrina Bowden, Randy Wayne, Lisa Younger, Seth Cassell, Erin Marie Hogan.  

The release date: October 5th, in theaters!

40 Days and 40 Nights: an upcoming disaster flick, written by me, H. Perry Horton, and directed by Peter Geiger. 

The plot: "When a colossal tectonic shift causes the sea level to start rising, a microbiologist gathers the DNA of as many species as she can, while the military creates an "ark" in a desperate attempt to preserve life on Earth." 

The stars: Monica Keena, Alex Carter, Christianna Carmine, Emily Sandifer, Mitch Lerner.  

The release date: November 27th.

12/12/12: thriller written & directed by the ever-busy Jared Cohn. 

The plot: "When baby Sebastien is born on 12/12/12 everyone around him starts to die. Soon, his mother realizes that her son is the spawn of Hell."  

The stars: Sara Malakul Lane, Jesus Guevera, Carl Doleson, Steve Hanks 

The release date: 12/4/12


Age of the Hobbits: written by Eric Forsberg for Joseph Lawson to direct.

The plot: "In an age long ago, the last village of clever, peace-loving Hobbits is attacked and enslaved by the Java Men, komodo-worshiping, dragon-riding cannibals. Now the young Hobbit Goben, along with his father and sister, must seek help from the "giants" (human hunters) to find the Javas' lair and rescue the last surviving Hobbits, Goben's mother among them. In their quest to destroy the Javas, the heroic partnership of humans and Hobbits will transform both species forever." 

The stars: Christopher Judge, Bai Ling, Sun Korng

The release date: December 11 

Asylum UK Distribution Deal Hints at Another New Title...

So today this article came out in which it was revealed that The Asylum has struck a deal with Starz/Anchor Bay Entertainment UK to distribute at least 10 films abroad in the next year. While this is awesome, spectacular news - The Asylum's going worldwide! - the juiciest morsel here comes at the end of the article, when they say that The Asylum next goes into production in July, on a film called...wait for it...

AGE OF THE HOBBITS.

I don't even know how this is possible, licensing-wise, and frankly I don't care. Asylum's mockbusting Peter Jackson (for the second time, counting King of the Lost World) and the results should be assuredly spectacular. No word on who's involved, but as soon as I know (i.e. as soon as The Asylum posts something somewhere) you'll know...