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Showing posts with label Journey to the Center of the Earth. Show all posts
Showing posts with label Journey to the Center of the Earth. Show all posts

inmate profile: Scott Wheeler

With The Asylum's next release, the raunchy comedy Celebrity Sex Tape, less than two weeks away - it comes out Valentine's Day - I thought we'd take a look at the film's director, Scott Wheeler, a guy who has an extensive resume in and out of The Asylum.

Wheeler began his career in visual effects in the late 1980's, working on such projects as Xena, Space: Above and Beyond, Buffy and Millennium before segueing into films. In 2007, Wheeler became visual effects supervisor at The Asylum, a position he held for 23 films including Mega Shark vs Giant Octopus, Mega Piranha, Transmorphers and 100 Million B.C., just to name a few. In 2008 he directed for the first time: The Asylum's take on Jules Verne's Journey to the Center of the Earth; Wheeler also wrote that film's script. Journey marked the first of four films (to date) Wheeler has directed, and all for The Asylum: Journey, Transmorphers: Fall of Man, MILF and now Celebrity Sex Tape.

Bottom line, then, Celebrity Sex Tape is in the hands of a seasoned Asylum vet. And if MILF is any indication, we can expect a salacious but intelligent, horny yet heartfelt film from CST. Find out on the sweetest day of the year, February 14th, when the film hits DVD...

The Asylum on SyFy December/January

With the shortage of video stores in our country at present, locating older Asylum titles on DVD without buying them can be kinda tricky. Fortunately for us, we have the SyFy network, which is constantly scheduling one Asylum flick or another, including many of the studio's staples, those older films that helped pave the way for the triumphant productions they're unleashing these days. Below, please find a schedule of Asylum movies on SyFy for the rest of this month, and next month, including an all-Asylum afternoon triple feature on January 22nd, a Sunday. This isn't a post I make often, and if ever you're curious as to what if any Asylum films will be gracing the small screen soon, jump over to The Asylum's website, where they always have a schedule up on the right side of their homepage. All times are Eastern Standard. Happy viewing!

Titanic II   Thurs, 12/15, 3am

100 Feet   Thurs./Fri. 12/29&30 5pm/3am


2012: Supernova   Sat., 1/14, 9am

100 Feet   Tues., 1.17, 11am

Journey to the Center of the Earth   Sun., 1/22, 1pm


100 Million BC   Sun., 1/22, 3pm


The Land That Time Forgot   Sun., 1/22, 5pm


100 Million BC   Mon., 1/23, 12am


Princess of Mars   Thurs., 1/26, 3am


Mega Shark vs Giant Octopus   Fri./Sat., 1/27&28, 2pm/3am


MegaFault   Sat., 1/28, 1pm





From the Asylum Library: Jules Verne

NEW COLUMN ALERT! Now and again, as is true of most motion picture studios, The Asylum will look toward the world of letters for inspiration. The public domain offers an array of spectacular, action-packed, thrilling, and - most importantly - free works ripe for the updating. In this occasional column, I'll take a look at the literary giants from which The Asylum has borrowed. And whom better to start with than the man many consider to be the father of science-fiction: the inimitable Jules Verne.


Jules Verne was born in picturesque Brittany in the early part of the Nineteenth Century. As a young man, his love for travel and adventure beget an imagination that could transport him places life had yet to. This imagination would in time evolve into an innovative form of speculative fiction that became a telescope into our future. Submarines, hot air balloons, space travel and even the fax machine are among the mechanical realities that first saw description in the books of Jules Verne. 20,000 Leagues Under the Sea, From the Earth to the Moon, Mysterious Island, Paris in the 20th Century, A Journey to the Center of the Earth, Around the World in 80 Days - it's titles like these and dozens more that have made Mr. Verne, nearly two hundred years after his birth, the third most translated author in the world and the source of more than 130 films, including some of the earliest work in special effects from cinematic magicians like Verne's fellow-Frenchman George Melies. 

Though that moniker I mentioned above - "the father of science fiction" - is often shared with his somewhat-contemporary H.G. Wells, it's worth remembering that Monsieur Verne's first notable novel, "Five Weeks in a Balloon," was published three years before Mr. Wells was even born.


As far as The Asylum is concerned, Mr. Verne and his fertile imagination have spawned only two films so far, Journey to the Center of the Earth with DeeDee Pfeiffer and Greg Evigan, and 30,000 Leagues Under the Sea with Lorenzo Lamas, but his influence can also be felt in films like 100 Million BC and The Terminators, if you'll stretch with me. 

But oh the films they could make: as most of the bigger titles have been mined to death and are in fact just outdated - no matter how inventive you are, it's tough to update From the Earth to the Moon without replacing one or the other - the best place to mine I think would be the lesser-known fare like Journeys and Adventures of Captain Hatteras, In Search of the Castaways, Off On a Comet, Eight Hundred Leagues On the Amazon or dozens others. 

Verne's a proven money-maker, the original Philip K. Dick when it comes to sci-fi writers Hollywood loves to make and remake and remake again. But a run through his back catalog could do for The Asylum what Poe did for AIP. Or not. Either way, we'd get some rad movies out of it.


Something to think about.

Happy Birthday Mr. Verne!

Today, February 8th, 2011, marks the 183rd birthday of one Jules Verne, renowned author, forefather of science fiction, eerily-on-point technological prophet and the source of two noteable Asylum flicks, 30,000 Leagues Beneath the Sea and Journey to the Center of the Earth

Without Mr. Verne, the notion of giant squid attacking man might never have entered the social consciousness, let alone the notion of a world inside the world or giant crab monsters. 

So hats off, Monsieur Verne, for close to two centuries of challenging our notions of the possible! Happy Birthday, and bring on The Asylum remake of Valley of the Dragons!

Observation Notes Catch-Up: Sci-Fi

I know not all my readers have been with me from the beginning, and I also know given the amount of postings I've made in such a short span of time, things can get lost in the shuffle. I also know that I'm not the best at tagging uniformly, so there might be a few things, specifically Observation Notes, that go unread. As such, periodically I like to remind you - with links! - of the films I've reviewed, and I think a good way of grouping these is by genre. So here, for your catching-up or even revisiting pleasure, are the Sci-Fi films produced by The Asylum that I've reviewed thus far (please note "creature feature" is a separate designation from sci-fi, so that list will come later), along with links to the original posts. Enjoy!




 30,000 Leagues Under the Sea 
 starring Lorenzo Lamas
 based on a novel by Jules Verne
 screenplay by Eric Forsberg
 directed by Gabriel Bologna






100 Million B.C.
starring Michael Gross, Christopher Atkins & Greg Evigan
screenplay by Paul Bales
directed by Louis Myman







 

2012: Doomsday
screenplay by Nick Everhart
directed by Nick Everhart










I Am Omega
based on a story by Richard Matheson
screenplay by Geoff Meed
directed by Griff Furst



 




Invasion of the Pod People
screenplay by Leigh Scott
directed by Justin Jones









Alien vs. Hunter
screenplay by David Michael Latt
directed by Scott Harper









Journey to the Center of the Earth
based on the novel by Jules Verne
screenplay by Steve Bevilacqua and Scott Wheeler
directed by Scott Wheeler and Davey Jones




 



The Land That Time Forgot
based on the novel by Edgar Rice Burroughs
written by Darren Dalton
directed by C. Thomas Howell









War of the Worlds 
based on the novel by H.G. Wells
screenplay by David Michael Latt & Carlos De Los Rios
directed by David Michael Latt














War of the Worlds 2: The Next Wave
suggested by a novel by H.G. Wells
story by Steve Bevilacqua
screenplay by Karen Forsberg
directed by C. Thomas Howell

Birthday Wishes!!






...are extended to day to Greg Evigan - star of Asylum features Journey to the Center of the Earth, 100 Million B.C. and 6 Guns - who turns a cruel 57 years old today (Cruel because at 57 he looks better than most of us did at 27. You attractive bastard, Evigan.) There's nothing at present in Evigan's filmography linking him to The Asylum, but talent like this won't lay dormant for long. Many happy returns of the day, Greg!

observation notes: 6 Guns

6 Guns is the first out-and-out western by The Asylum, and as straight-to-DVD films of such a genre go, it's a success.

The story, written by Geoff Meed (Universal Soldiers, I Am Omega), concerns a family of homesteaders - Pa, Ma and two boys - whose domestic bliss is shattered by a pack of vigilantes come to enact vengeance for the death of their leader(also Geoff Meed)'s father, killed by Pa back when he was a quick-drawing lawman. Long story short, the men folk are killed and Ma is assaulted multiple times and left for dead. Big mistake.

At this point the film becomes a kind of feminist take on the Randolph Scott/Budd Boetticher revenge classic 7 Men From Now, here with Sage Mears as the wife substituting for Randolph Scott's grieving widower, seeking to enact a vengeance of her own.

(This follows an extended dance between Wifey and the bottle that at last comes to an end when she meets Bounty Hunter Extraordinaire Barry Van Dyke, who she asks to take shootin' lessons from, the training she needs for the recently-mentioned mission of vengeance. This is a pretty big plot point to be a parenthetical, I know, but this is how things got structured in my head, so here we are.)

Said training is finished just in time, fortunately enough, for the murderous vigilantes' return to town. From here there be spoilers, so let's just leave it at, the third act is the best, bringing to fruition all the lingering questions of character raised in the films 1st 2 3rds. One leaves the film fulfilled, if not a little uneasily hopeful, which I suspect was Meed's intention. Real nice resolution, and just a fine tale all around, well-executed.

Barry Van Dyke ("Diagnosis Murder," "Airwolf," "Galactica 1980") carries the film on his reserved grizzled-ness, his performance that of a calmly tortured, conflicted anti-hero of the sort westerns are supposed to have. Sage Mears is equally sweet and sour, soft and rigid, believable as both a victim and an avenger, as a woman ripped from her cocoon of happiness and hardening to the ways of a new world she finds herself navigating alone. Here's hoping this is only the first of Ms. Mears' collaborations with The Asylum.

And I can't forget the always-great Greg Evigan (100 Million B.C., Journey to the Center of the Earth), who shows up in this one as the local peacekeeper, endearingly played as amiable yet stern, a man long in his position and perhaps too comfortable as such, performing his duties with relaxed aplomb and a false sense of security.

Other standouts include, of course, screenwriter Meed as the mirthfully ruthless vigilante leader Lee Horn, a grade-A sociopath, Jude Gerard Prest (Mega Piranha) as the bartender/ whoremaster, and Shane Van Dyke (Barry's son, writer/director/star of Titanic II and the director of this here fine film as well) as a member of the vigilante pack. 6 Guns marks the third film Mr. Van Dyke the younger has directed for The Asylum, and the first time he's directed his father. The look of the film isn't typical of The Asylum, it feels a little cleaner, a little more cable-ready, a little more accessible. There's been a boom in direct-to-DVD westerns in the last three or four years, and this film feels like a wading-job by The Asylum, a test to see how warm the waters are. And like wading in murky water, it's tense fun. The script is tight, true to western themes, and cognizant of the cruelty and brutality that typified this often-glamorized era of American history. There are a few stereotypes present, but each is performed beyond that level by a confident and capable cast. The end result is a fine film, tense and thrilling, engaging and unnerving in parts, in short a quality western, roped together and hog-tied by Shane Van Dyke, who, along with his work on Titanic II has proven himself - if ever there were any doubters - as more than just a legacy; the guy's got genuine talent. Looking forward to a lot more from him, on both sides of the camera.

This one gets high marks all around. I'd love to see more films in this vein.

inmate profile: DeeDee Pfeiffer


I am fully aware there are other women who have worked for The Asylum more often than DeeDee Pfeiffer, which I am also aware makes her somewhat of an odd choice for the first female inmate profile. But look at her: sassy, sexy, innocent and sultry; how can I resist?

So much more than Michelle's little sister, DeeDee has been working consistently in film for nearly 30 years, from comedies like Moving Violations and The Allnighter to more serious fare, venturing lately into the sci-fi/adventure/horror realm via films like Blue Demon and her work for The Asylum.

As mentioned, DeeDee has starred in two films for The Asylum thus far, as Greg Evigan's ex and a tectonic driller in Journey to the Center of the Earth and opposite great American hero William Katt in Alien v. Hunter. She brings frazzled beauty and sarcasm-next-door to each role, proving herself a unique and viable leading lady - sexy whether glamorous or not, strong, independent, fiesty and endearingly vulnerable. For my money, I'd watch DeeDee before Michelle seven days a week, and I always would have. Here's hoping she visits The Asylum again soon.

observation notes: Journey to the Center of the Earth

One of three adaptations of the Jules Verne classic to come out in the same 18-month period - the other two being the Brendan Fraser 3D event and the Ricky Schroeder non-event - The Asylum gives it their own special twist.

Okay, so, here we go: Greg Evigan is some kind of stargate scientist or something, and in the process of beaming an elite military unit composed entirely of hot chicks, somehow the calibrations go wrong and they end up in the center of the Earth, a lush, prehistoric landscape. So Evigan has to track down his ex-wife, the delightful DeeDee Pfeiffer, who just happens to be developing a miracle laser-digger. As if this string of coincidences wasn't enough, one of the members of the hot-chick military unit is DeeDee's sister (who in real life is Evigan's daughter!!)! Da-da-dummmmmm!

Fast-paced, exciting and endearing thanks laregly to the two leads. Greg Evigan hasn't aged a day or lost an ounce of charm since "My Two Dads," and DeeDee Pfeiffer, as usual, showcases the same comedic/dramatic skills that made Cameron Diaz a star, with a dash of frenetic obsessiveness that made Crispin Glover so creepy. How's that for a mash-up? Notable among the hot chicks are the aforementioned Evigan daughter, Vanessa Lee (other daughter Brianna is of Step Up 2, S. Darko and Sorority Row fame) and Caroline Attwood, the female reporter from Death Racers, who thankfully gets a lot more screen time here (she's kinda hot is why the "thankfully").

Two quotes best sum up this experience, which truthfully I enjoyed more than the big screen epic, and certainly more than the Ricky Schroeder shit-bomb:

"Wait a minute; why would a tyrannosaurus be here in the first place?"

AND

"All right you bitch hag, let's do this...AAAAAAAAAAAA!!!!!!!!"