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Showing posts with label MILF. Show all posts
Showing posts with label MILF. Show all posts

inmate profile: Scott Wheeler

With The Asylum's next release, the raunchy comedy Celebrity Sex Tape, less than two weeks away - it comes out Valentine's Day - I thought we'd take a look at the film's director, Scott Wheeler, a guy who has an extensive resume in and out of The Asylum.

Wheeler began his career in visual effects in the late 1980's, working on such projects as Xena, Space: Above and Beyond, Buffy and Millennium before segueing into films. In 2007, Wheeler became visual effects supervisor at The Asylum, a position he held for 23 films including Mega Shark vs Giant Octopus, Mega Piranha, Transmorphers and 100 Million B.C., just to name a few. In 2008 he directed for the first time: The Asylum's take on Jules Verne's Journey to the Center of the Earth; Wheeler also wrote that film's script. Journey marked the first of four films (to date) Wheeler has directed, and all for The Asylum: Journey, Transmorphers: Fall of Man, MILF and now Celebrity Sex Tape.

Bottom line, then, Celebrity Sex Tape is in the hands of a seasoned Asylum vet. And if MILF is any indication, we can expect a salacious but intelligent, horny yet heartfelt film from CST. Find out on the sweetest day of the year, February 14th, when the film hits DVD...

Celebrity Sex Tape Gets a Poster!!!

Today the fine folks over at The Asylum revealed the poster for their next sex farce, Celebrity Sex Tape:


Pretty standard poster, white background a la all Asylum comedy posters, and plenty of titillating promise. In case you forgot, this is the premise:

A group of college nerds secretly record a washed up celebrity having sex and post the tape on the internet. When the publicity revives the actress's career, every B-list celebrity, reality show reject, and celebutante in Hollywood want to star in the guys next "production."


Rrrrrracy...the film - directed by Scott Wheeler (MILF) from a script by Jonny Haug, Pat Sheehan and Matt Short and starring Jack Cullison, Emily Addison, Jonathan Brett, Colbert Alembert, Howard Cai, Andre Meadows and Julie Barzman - hits DVD on February 14th, 2012, making it next year's perfect Valentine's gift.

Observation Notes Catch-Up: Comedies

I know not all my readers have been with me from the beginning, and I also know given the amount of postings I've made, things can get lost in the shuffle. I also know that I'm not the best at tagging uniformly, so there might be a few things, specifically Observation Notes, that go unread. As such, periodically I like to remind you - with links! - of the films I've reviewed, and I think a good way of grouping these is by genre. So here, for your catching-up or even revisiting pleasure, are the Comedies produced by The Asylum that I've reviewed thus far, along with links to the original posts. Enjoy!





 MILF
written by Jonny Haug
directed by Scott Wheeler












written & directed by Eric Forsberg













written By Naomi Selfman
directed by Tamara Olson
















written by Naomi Selfman
directed by Mark Quod

A Look Back, A Look Ahead

On this, the final day of 2010, I thought it appropriate that we take a look back on the work done by The Asylum this last year, as well as peek into the future at the projects already lined up for 2011, now only hours away. A reminder that every single film released by The Asylum this year is up for Best Picture in the 1st Annual Looney Awards for Excellence in Asylum Films (voting ends Feb. 2, 2011). 

For a word from The Asylum themselves on the great year they've had, check out this morning's message to us all and click here.

So, without further adieu, a look back at the films that made 2010 possibly the biggest, most successful year yet in The Asylum's illustrious history:



Sherlock Holmes
directed by Rachel Lee Goldenberg
written by Paul Bales
starring Ben Syder, Gareth David-Lloyd, Dominic Keating


released 1/26/2010








Meteor Apocalypse
directed by Micho Rutare
written by Brian Brinkman & Micho Rutare
starring Joe Lando, Cooper Harris, Claudia Christian

released 2/23/2010






6 Guns
directed by Shane Van Dyke
written by Geoff Meed
starring Barry Van Dyke, Greg Evigan, Brian Wimmer, Sage Mears

released 3/30/2010






Mega Piranha
directed by Eric Forsberg
written by Eric Forsberg
starring Paul Logan, Tiffany, Barry Williams

released 4/27/2010






7 Adventures of Sinbad
directed by Adam Silver & Ben Hayflick
written by Adam Silver & Ben Hayflick
starring Patrick Muldoon, Bo Svenson, Kelly O'Leary

released 5/25/2010 






Airline Disaster
directed by John J. Willis, III
written by Paul Sinor & Victoria Dadi
starring Meredith Baxter, Scott Valentine, Lindsey McKeon

released 6/29/2010 








#1 Cheerleader Camp
directed by Mark Quod
written by Naomi Selfman
starring Jay Gillespie, Seth Cassell, Erica Duke, Harmony Blossom, Charlene Tilton


released 7/27/2010






Titanic II
directed by Shane Van Dyke
written by Shane Van Dyke
starring Shane Van Dyke, Marie Westbrook, Bruce Davison, Brooke Burns


released 8/24/2010








8213 Gacy House
directed by N/A (Anthony Fankhauser)
written by N/A (Anthony Fankhauser)
starring Mike Gaglio, Rachel Riley, Jim Lewis


released 9/28/2010







MILF
directed by Scott Wheeler
written by Jonny Haug
starring Jack Cullison, Phillip Marlett, Molinee Green, Jamie Bernadette


released 10/26/2010






2010: Moby Dick
directed by Trey Stokes
written by Paul Bales
starring Barry Bostwick, Renee O'Connor, Adam Grimes


released 11/23/2010






Mega Shark vs. Crocosaurus
directed by Christopher Ray
written by Naomi Selfman
starring Jaleel White, Gary Stretch, Sarah Lieving, Robert Picardo


released 12/21/2010








And now a look ahead at the productions already on the docket for 2011:







Princess and the Pony
directed by Rachel Lee Goldenberg
written by Bill Parker & Rachel Lee Goldenberg
starring Fiona Perry, Bobbi Jo Lathan, Ron Hajak

to be released 1/25/2011








Mega Python vs. Gatoroid
directed by mary lambert
written by Naomi Selfman
starring Tiffany, Debbie Gibson, A Martinez

to be released on SyFy 1/29/2011






Battle of Los Angeles
directed by Mark Atkins
written by Mark Atkins
starring Kel Mitchell, Nia Peeples, Theresa Jun-Tao

to be released 3/15/2011






Almighty Thor
directed by Christopher Ray
written by Eric Forsberg
starring Cody Deal, Richard Grieco, Kevin Nash, Patricia Velasquez

to be released 5/10/2011






Ballistica
directed by Gary Jones
written by Tony Kandah & Sean Rourke
starring Paul Logan, Martin Kove, Robert Davi, Andrew Divoff

to be released 5/17/2011






2012: Ice Age
directed by ???
written by ???
starring ???

release date TBA




Born Bad
directed by ???
written by ???
starring ???

release date TBA


200 MPH: Midnight Racers
directed by ???
written by ???
starring ???

release date TBA


And there you have it, the year behind us, the year ahead. Speaking as to the year ahead, there's only eight projects announced thus far, meaning we can count on at least three or four more coming to light as we proceed into 2011. And as always, rest assured that as soon as any news drops on these or any other projects, you'll know a minute or so after I do. Happy New Year, thanks for reading, be safe and viva La Asylum!!!

977's Unsolicited Yet Copyrighted Pitch #4: CASUAL ENCOUNTERS

In the tradition of Sex Pot, The 18 Year Old Virgin and, most recently, MILF, I humbly present this raucous sex comedy that I'm calling Casual Encounters. Like many other Asylum comedies, it centers around two friends, young men in their mid-20's, tentatively named Walt and Roddy (the latter name alone should provide three to five minutes of jokes, easy). Walt is our lead, a clean-cut nice-guy who's too nice for his own good. Roddy is his best friend, the more crass, vivacious and stoned of the two (Seth Cassel could be good here.).

Our film opens on graduation night, Walt and Roddy both having graduated that day, Walt from a journalism Master's program and Roddy from his 7-year Art History program (insert "it's where the chicks are" jokes here). Roddy has convinced a reluctant Walt to come with him to the big party that night, a thing Walt never does, being the quiet, bookish, stay-at-home, mild-mannered sort he is. But, since his girlfriend Jessica, another graduate, is busy with her girlfriends that night, and on account of the cajoling he's getting from Roddy in reference to his impending desertion of Roddy and this town for Jessica and the big city, Walt concedes. 

The party is an affair of debauchery, a mixture of college kids, grad students and the like, all enjoying a well-deserved break. While Roddy is revealed to be a natural reveler, Walt is the obvious awkward wallflower, standing alone, avoiding conversation, all-around not enjoying himself. But out of the corner of his eye he sees a girl running playfully upstairs, Jessica, he thinks. He makes his way across the party and goes upstairs, finds himself in an empty hallway with several doors, all of them open but one at the end. He goes to it, hears a minor skirmish and a squeal from inside. Thinking Jessica in trouble, he opens the door. In the room he finds Jessica, topless, her breasts covered in chocolate syrup, and two eager young men, naked, ready to clean her. All are a bit shocked. What follows is a difficult, awkward, and chocolate-breasted break-up (that the naked dudes observe) in which Jessica says they've been together too long, since high school, and she'd been feeling cooped up for a while now, like she was letting her sexiest days pass her by. Until recently he was the only man she'd ever been with (was?!?), and she just can't continue to waste all this (chocolate breasts) on one guy. Walt counters that they're supposed to move to the city (any city) the next day. Yeah...she's not coming. Maybe later they can get together, settle into that grown-up life Walt seems so eager for, but for now, she's young, she's hot, her moral compass for the moment is out of whack and she wants to flaunt it. Walt, spineless, concedes and even leaves the room, closing the door behind him so Jessica and her new friends can get back to business.

Roddy spots Walt, dejected, leaving the party and follows him out, gets the story. Walt is freaking out, he's got a deposit on an apartment in the city, needs to start looking for jobs, but going alone freaks him out even more; he's ruined, his life is over. Roddy steps in and says he'll move with Walt, he's spontaneous and unattached like that. So it's settled.

We pick up with the two friends in the city where in the process of moving in Roddy meets a comely neighbor and disappears to sex her up, leaving Walt alone to move in by himself. When Roddy returns Walt confronts him about this, how it will be, Roddy with the ladies and Walt all alone, and Roddy assuages him by saying all they have to do is get Walt back in the game himself and it will all balance out; he's a free man for the first time as an adult, the first time ever, he should get out there and hump anything that will let him. To prove his point, Roddy takes Walt to a nearby bar that night, tries to help him meet women, but Walt is hopelessly awkward, doesn't know how to talk to women, certainly doesn't know how to pick them up. It's a disaster, in short, and Walt leaves embarrassed, ashamed and alone, while Roddy scores again. When Roddy returns later that night, he and Walt have a talk about the problem, how Walt can't communicate with women in the moment like that, his brain seizes up and he can't think of anything to say. If only there was a way to pick up women without having to look at them. 

There is, Roddy declares, and grabs a laptop, directs Walt to a community message board that comes with a Casual Encounters section. Roddy explains the CE principle to Walt and why he thinks it's ideal: he's not looking for anything other than sex, he doesn't want to play games, and he doesn't want to talk face to face. He can communicate honestly and directly through writing, his strong suit. Walt doesn't know, he isn't sure, it sounds kind of, well, desperate and sketchy. It is sketchy and desperate, but so it the best sex, which Walt wouldn't know, having been with only one woman his whole life; he has to trust Roddy.

So trust he does, and allows Roddy to post an ad for him detailing what he wants in a sexual escapade. Walt has to get drunk as he does this, so nervous and timid he is, so it gets progressively lewder and thus funnier as he goes. Walt passes out before the ad is posted. Roddy finishes it for him by snapping a picture of Walt's package to post with the ad. As it turns out, Walt happens to be well-endowed, causing Roddy to curse all the time he spent writing when they could've just posted the pic.

When Walt wakes up in the morning, his inbox is flooded with willing women wanting to get down. Funny sequence going through the women, the pictures, the shapes, the sizes, the ages, the kinks, the personalities, all this, until he finds one that suits his purposes, someone, like him, that seems normal and even demure, bespectacled, quiet, just a mousy thing looking for a good time.

Now, from here we get into - pardon the pun - the meat of our movie, the encounters and how they effect him, so I don't want to give away much more than generalizations. What I can say is that the demure chick turns out to be the opposite, kinda dominatrix-y, the signs were all there in conversation but Walt didn't get it, and this rough but hilarious encounter freaks him out. Roddy convinces him to try again, promising this time to help him decipher the lingo via  "micro-blu," an inner ear blu tooth device (a dash of Cyrano de Bergerac never hurt a comedy). This is where the vagaries in description begin.

Walt goes on another encounter, Roddy talks him through to the good stuff. Things get a little freaky, and when it's over Walt forgets he still has the blu tooth in, allowing Roddy to have heard everything, which disturbs him and disturbs Roddy as well for how much it turned him on, so both agree this plan was a one-time thing.

As Walt continues to navigate the strange world of no-strings sex he meets an array of characters: cougars, BBWs, curious lesbians, goth girls, good, old-fashioned trashy sluts, other kinksters, and among these one girl, different from him, fiercely independent, edgy, but cautious, who answers his ad a few times, but takes it slow, talking only the first encounter, standing close without touching the second, progressing like that, because her kink is the build-up. Walt is falling for her in a weird way, but she'll have nothing of it, because once they consummate, the build-up is over. 

So as these aspects of our story wind around each other - the casual encounters eventually giving him the experience and confidence he needs to feel independent as a man and his burgeoning real affection for a girl he met that way - the monkeywrench of Jessica re-enters the picture. She's back, says she's been around and all she's found is that she had the best right where she was. She wants Walt back, wants to pick up where they left off, leaving Walt to make a difficult decision between his old, safe, static life and love or his new, exciting, dangerous and thrilling life, with it's possible new love (is there anything beyond the build-up? can it ever be more exciting?).

This one has it all: jokes, boobs, comic sex and a nice array of women characters sure to appeal to a broad range of men. Plus, I can't think of another sex-personals comedy off the top of my head, so it could be virgin territory, but without a single virgin. Would also work as a horror movie with minimal tweaks.

I'm just sayin'.

observation notes: MILF

There are certain movies, that when they're made, the concept seems so simple and classic that I can't believe it took us as a culture so long to produce it: 30 Days of Night is my go-to example of these; someone should've thought about vampires in a sunless environment long before the 21st century. And MILF, the latest comedy from The Asylum, is another such concept: hot moms have been all the rage for decades now, thanks to the invention of the minivan, the rise in America's divorce rate, recreational youth soccer and the internet. And while yes, there are plenty of films that extol the virtues and myriad pleasures of taking an old lady lover, none of them have had the balls to flat out call themselves, MILF, which is an acronym, but if you don't know for what, then you my friend need this movie more than the rest of us.

MILF is the story of four sexually-frustrated college freshmen ( i guess i could've just said "college freshmen" and gotten the same point across) who have absolutely no game when it comes to picking up hotties their own age. But when one of the four sees a naked cougar - one of the other four's moms, no less - teamed with the discovery of the aforementioned naked cougar caught by the four in the midst of  two-person "passion party" with another of their moms (i knew going into this it was about somebodies' moms as sex objects, i just didn't know it was going to be the moms of half our principle characters. this took some adjustment), the idea becomes planted in the boys' collective dick that the answer to their sexless strikeouts is the tender loving care only someone else's mother can provide. This happens about the same time the cougars in question discover their sons' friends are ripe for the plucking. The end result of this mutual, lustful awakening is sexual exploitation and objectification of the highest, finest order, and where our film really takes off.

Essentially, our heroes concoct an American Pie-style bet to see who can bag the most MILF (yes, i'm using MILF as the plural of MILF, like DEER or SHEEP. the movie will back me up) by the end of the year, then go about attempting to ensnare their prey by stalking the places MILF are known to graze: singles bars, the grocery store, and eventually each others' family homes. Along the way each of our freshmen has their equally raucous, thrilling and emasculating encounters, more often than not with hilarious results. This rampant lust turns complicated and potentially devastating, however, when our main hero finds himself in a full-on Friend With Benefits situation with another of our heroes' moms, the same other hero who saw the first cougar, our main hero's mom, naked and felt so bad about it he hasn't stopped apologizing all movie (it sounds complicated, i know, but believe me, if i can follow it after three vodka/sodas, you can too.) It's at this plot point we realize the true dilemma of our film; it isn't about how many MILF these young men are going to have intercourse with, it's about whether or not our main hero will continue to sneak around with his friend's mom for the best (and only) sex of his young life, or will he throw said sex away for the sake of lifelong friendship? Only in the movies is this an actual question (don't hate, you know it's true. lust always trumps honor, that's why in most religious systems it's an infraction, because otherwise all of us would do it all the time. human nature is ashamedly primal.).

The rest of the story I shall leave unspoiled. As for the performances, I was - as I was with the movie overall - pleasantly surprised. Lead actor Jack Cullison - who makes his feature debut with MILF - is easily the best of the bunch, awkwardly charming where the others are just awkward, and geekily likable in a too-relative way. Philip Marlatt, who plays the hero whose mom is being serviced by his best friend Cullison, tries a little too hard off the bat to be the funniest, which he isn't, coming off a little like a more-realistic version of Michael Showalter's "Doug," but as the film progresses and we get into the thick of his character, he ends up giving the most non-lustful emotional performance of the film. The other guys, the Brit and the Hispanic-American, are pretty much just there - it feels like - to round out the cast, though the Brit has a couple of pretty funny moments.

As for the women of MILF, though the film abounds with them, there are three of particular note: Amy Lindsay as the main MILF doing her son's BFF (and who's filmography makes the 12-year-old CInemax-viewer inside of me very happy), who in this film manages to accomplish the near impossible: she's hot, slutty, kinky, yet still three-dimensional, that is, not a caricature of any of these qualities, but somehow simultaneously believably maternal and the victim of an emotional roller-coaster that has her even considering such a relationship. (MILF surprised me over and over, and most often it was in this sense: at the heart of this bawdy sex comedy is, well, a heart.). Molinee Green plays the mom of the mom-banger, a tigress with a little kinky secret of her own, and she's just pure sex in this one, but she's also my only complaint about the cast, and not because of her performance, but her age; Molinee's currently 28 years old, according to IMDB, and no matter where you're from, that's a little young to be the mom of a college freshman. But she looks good naked, and that's the point, so what am I even talking about? And finally there's Jamie Bernadette, who plays the actual love interest - because every bawdy sex comedy in truth revolves around an actual love story - of our mom-humping hero. Another relative newcomer, hopefully we'll see more of her in the future.

Now, what I'm about to say, I don't mean it as criticism, but as a compliment, I really do: I found this film to be much tamer than most other Asylum comedies, not in terms of content, but in delivery, it was more subtle with it's humor - not that it wasn't delightfully crass and lewd, there's ample cross-generational nudity, lesbian coeds, wet sports bras, nipple slips, circle-jerk jokes, requisite fist-bump explosions, ball gags, pasties, sexting, inappropriate son-mom banter, further inappropriate son-friend's mom interactions, chips, dip, chains, whips, lollipop innuendos, hernia tests administered by non-medical professionals, eastern sexual philosophy, dessert toppings, more fake boobs than a fake boob factory, unintentional threesomes (Mike Gaglio is the funniest single moment of the film), sex lies and digital video and everything else you'd hope to find in a sex comedy - the film doesn't smash you over the head with these elements, rather it weaves them into an actual story, a higher level of comedy that results in a sophisticated yet blissfully sophomoric romp that entertains and scintillates all at once.

The first observation notes I posted were for #1 Cheerleader Camp, which I began by saying I wasn't the biggest fan of Asylum comedies, and concluded by saying #1CC had caused me to reconsider that stance. With MILF, that stance is hereby reversed. I really liked this one, mostly because it really surprised me by being attentive to character and not just situation. It's a damn funny movie, not near as drastically distracting  as some other films in this vein, and ultimately a touching cautionary tale about the real-life emotional ramifications of balling your buddy's mom, or just old chicks in general. 

So, you laugh a little, learn a little, and get to see a bunch a boobs. And isn't that what the movies are all about? In my world, they are.