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Showing posts with label Lance Henriksen. Show all posts
Showing posts with label Lance Henriksen. Show all posts

Awesome Game Over at SyFy


March is the official month of Brackets. Think about it: whether you're enmeshed in the triumphs and tragedies of the NCAA tournament or not, chances are you still filled out a bracket. There's just something about pitting two random things against each other in a nice, orderly, structured tournament arrangement that appeals to our innate need to judge. Well, latching on to this base desire are the fine folks over at SyFy, who have instituted what will hopefully be the first in a new-found tradition: Monster Madness

That's right, in honor of their 200th Original Movie - "Scream of the Banshee," starring Lauren Holly and Lance Henriksen, airing tomorrow night at 9pm - SyFy has pitted 64 of their greatest original villains - including Asylum creatures Mega Shark, Mega Python, Mega Piranha, Gatoroid and Giant Octopus - against each other in a bracket system. And the best part? We the fans decide who advances and who gets bounced.

Seriously, this is a cool site. Each match-up comes with awesome illustrations of the creatures as well as facts on the flipside with the creatures' powers, abilities and other associated stats. Forget the tournament, I just want a complete set of SyFy original movie trading cards - ice spiders, mammoth, swamp devil, mongolian death worms - the gang's all here.
Anyway, voting for the first round of competition is open now, and the second round starts next Thursday, March 31st. Get over there NOW and get your votes in for your favs, including, of course, all the Asylum creatures, which at last check could use a boost in votes. Tell everyone you know! Retweet! Repost!

outside the walls: Non-Asylum Inklings


I recognize that not all great films are made exclusively by The Asylum and that, in fact, there's a whole world of film outside these walls, some of which might actually interest Asylum fans, when they're not watching or re-watching Asylum films, of course. And, being as I'm only looking out for your viewing well-being, here's a peek at some other DVD releases this month which might satiate you between Asylum releases. But remember, as always. Sweet n' Low ain't sugar.

January 4




Demon Resurrection











The Last Exorcism










Machete









Wolvesbayne
directed by Griff Furst (I Am Omega, 100 Million B.C.)
written by Leigh Scott (Transmorphers, Beast of Bray Road)







January 11th 

 



Funny or Die Season 1










Legion: The Final Exorcism










Piranha (not 3D on DVD)











Psychosis






January 18th





Death Race 2






 




The Virginity Hit






January 25th





Final Spawn
starring Lance Henriksen
(Pirates of Treasure Island, The DaVinci Treasure)





 



House of Bones
written by Leigh Scott
Primal

observation notes: The DaVinci Treasure

This high-tech thriller tie-in to the international phenomenon and airport staple known as The DaVinci Code opens with forensic anthropologist C. Thomas Howell and a ski-masked crew breaking into a private residence to rifle through DaVinci artifacts including spectacles ("optics"), and pilfer a page from the artist's notebooks that contains the lost DaVinci Code...x, it's a codex he's looking for, not a code, just to clear that up, legally-speaking. The codex, if properly used, can unlock the path to a great if vague treasure, one worth killing for, as C. Tom soon learns.

After barely escaping with the codex and his life when one of his team turns on him, C. Tom runs smack into a Mafioso-style anthropologist/old rival (Lance Henriksen) who wants two things: C. Tom to join his team of highly-skilled relic hunters, and the codex. Clearly, however, he has a preference should only one of these things be available. See, in Lance's head the treasure should be his because he's been looking for it longer, and C. Tom's just one more obstacle in his way, one that he can take or leave. But, in typically foolish bad guy behavior, Lance gets the codex but not C. Tom, yet leaves him alive to thwart another day. Enter the final, and only reliable, member of C. Tom's own team, a stunning linguist/theologian (Nicole Sherwin) who's more than disappointed at the codex lack.

And all this - the first nine minutes - is just the opening sequence.

The gist of the plot is this: several hundred years ago, the rich and powerful House of Medici had this awesome treasure hidden away so well that the most capable kings and armies could never find it, thanks to one of the architects of this plan, none other than famed artist/inventor/thinker/turtle-inspiration Leonardo DaVinci, who, being the shrewd man he was, secretly left clues to the whereabouts of said treasure in his work and notes. Thus, there's an entire sub-population of anthropologists, archaeologists and historians who make the quest for this treasure their lives' work, and our characters are among them. C. Tom's quest begins with the Shroud of Turin, the mythical length of fabric said to have been cloaked over the body of Jesus following his crucifixion, and furthermore said to bear an image of the body of Christ, burned there upon his resurrection. At this point in the film there were - like there are here, now - a lot of twists and facts and historical tidbits being bandied about, enough that I got a little lost in exposition, but I think that's the long and the short of it. Regardless of whatever I'm forgetting or omitting, C. Tom and his hottie theologian locate the Shroud and find it provides them with still further questions.

But as our heroes go in search of answers, Lance's goons continue to hunt them down for any new knowledge or artifacts they may have. Lots of Euro-action/intrigue ensues: church basements, stairwell shoot-outs, marketplace foot pursuits, that sort of stuff. Like a Goldberg-puzzle-box (if he ever made any) one clue unlocks the next unlocks the next and so on, resulting in a cleverly-crafted intellectual thriller that to divulge any more details about would be to rob it of its mystery. Needless to say, missed opportunities have to be rectified, rivalries intensify, cars get chased by other cars, and helicopters, shrouds become maps, Afghanistan comes into play, camera obscura gets a lot older, bricks are broken, Jesus gets name-checked a whole bunch and Lance Henriksen rocks a left-earring.

The film is directed by Peter Mervis (Snakes on a Train, When A Killer Calls) in a kind of Bourne-style: intentional glitches, freeze-frames, title readouts, sequence speed-ups and a variety of techno-noises tossed in for good measure. The film has some pretty spectacular action sequences and excellent pacing; the momentum never ebbs, building from the first scene to the revelatory climax.


This is partially due to the script, and partially to the actors. I'll start with the actors: Committed-fave C. Tom Howell turns in an exuberant, passionate and actively-pensive performance, really bringing his A-game, making him easily more fun to watch than Tom Hanks in the tie-in (I said it.). There's just a gracefulness to him here; it's the most at home I've seen him in a role for The Asylum - including his repeat performance for the wars of worlds.


Lance Henriksen, as always, plays a really believable violent badass, but at the same time, he is not at all believable - not at all - as a guy who gives enough of a fuck about archaeology to get a degree in it. Not that it matters - all-told, Lance isn't in this one more than 10 or 12 minutes.


The lovely lady at C. Tom's side is played by Nicole Sherwin, an actress/TV host/green even expert, whatever the fuck that means. Basically she's eye-candy with an intellect, largely underdeveloped (as a character), and (on the contrary) shows a little too much cleavage for a theologian, I think, though not enough for a linguist, so, balance.

As for the script - co-written by Asylum bigwig Paul Bales (Moby Dick, Sherlock Holmes) and scribe Carlos De Los Rios (Pirates of Treasure Island, War of the Worlds, King of the Lost World) - it's nice and tight, riveting in spots, pulse-stirring in others, engaging in others still, dense ("compact," not "stupid") with information but worth negotiating; there are more twists and turns here than a pretzel showcase at the Pennsylvania State Fair.

Put all these elements together and the result is a thoroughly intriguing thriller that recalls not only The DaVinci Code but also National Treasure, and rests comfortably among the best of the straight films (not sexually, I mean films without a supernatural, sci-fi or ruthless manic slant to them) The Asylum has produced. There was a lot of stuff, largely speculative documentaries, that tied-in to The DaVinci Code, so it's not like The Asylum's treading on holy ground here (pun intended); I wasn't distracted by the similarities in the slightest. A good movie is a good movie, no matter where it comes from, and this is a good movie. 

Enjoy.

observation notes: Pirates of Treasure Island

What we have here is a rare and elusive thing, a thing of which until now only rumors have existed, a thing such as the Minotaur or the Loch Ness monster, more myth than reality, yet here it is, in all its shimmering uniquity: The Asylum PG(at least in Canada) picture! 

(WTF to the WTF power!?!?)

Okay, so maybe I'm going a little over the top, but there's something about watching weeks' worth of brutal horror, gory sci-fi, boob-y adventures and whatnot then suddenly switching to something tween appropriate; it's as jarring as walking in on your grandparents, but...opposite. I digress (too much).

This one's a double tie-in, tapping into the pirate popularity resurgence kicked into high gear by Keith Richards and the X-Pensive Winos, but also going to a source of sorts, the original pirate blockbuster, Robert Louis Stevenson's "Treasure Island." Either way Disney's calling their lawyers.

Of course The Asylum puts their twist on things: in this version it's young Jim Hawkins (Tom Nagel) who's the treasure hunter, and Long John Silver (Lance Henriksen) is nothing more than a scurvied bilge-rat of a mutineer and privateer with designs of his own on Master Hawkins' treasure. See, as the opening scene shows us, Long John's been on that island before, and not only does it hold great treasure, but also great peril in the form of things Mysterious, Jules Verne Mysterious, not the man, but...shit, this is getting convoluted, even for me; the island has a bunch of big insects on it, like the titular island of Jules Verne's "Mysterious Island." There we go.

So the men set sail, Jim above and Long John below, Jim's lady (Rebekah Kochan) secretly stowed away on board - for spoiler reasons I shan't mention - avoiding detection beneath an oversized coat and a tri-corner hat from under which only a few flaxen ringlets spill. What beautiful lady?

And the lady's just the first of the spoilers that start to unravel once Jim and Long John are finally on the high seas, and L.J.'s set his plan in motion. If that seems fast, it's because this one only clocks in at 80 minutes, a good 100 less than your average Johnny Depp seafarer.

Pirates was written in part and directed in full by - here's a familiar name - Leigh Scott, who though he produced some less-than-fluid fight scenes, managed the chaos and ribald choreography of pirates a'pirating with aplomb. As for the performances, Tom Nagel (Hillside Cannibals, The Apocalypse) was plenty heroic if a little plain-faced, the kind of actor you know considers Chris Evans and Sam Worthington role models, or at least templates. He was the only one who seemed to remember the era the film was supposed to be set in, and as such he stood out, which wasn't always a positive thing. Lance H. (Da Vinci Treasure, "Millennium") as Long John Silver was just plain fun to watch; his pure, animal intensity oddly works in this softer-than-usual setting. It's almost like he thinks he's in a comedy, which amused the shit out of me. The standout, however, for me at least, was the aforementioned Ms. Kochan (When a Killer Calls, Freakshow), who plays the pub-wench-love-interest with secrets to hide very effectively, very...wenchful: buxom, blond and grizzled, the kind of gal who could kick your ass just by thinking about, and look damn fine doing it.

Bottom line, Pirates... is a lighthearted and spry action-adventure, an equal balance of mirth and mortality. As for the PG rating, it's certainly not inappropriate for kids by any means, but, I mean, I wouldn't let my kid see it unless that kid was 10 or so, but I don't have a kid, I have a cat, so what the fuck do I know? Nothing, that's what. But some scenes still might be too intense for younger viewers, especially those afraid of loud noises, large insects, or creepy old dudes (sorry Lance, but you scare children, you know you do.).

outside the walls: Non-Asylum Inklings


So I'll admit it, there are films not produced by The Asylum. There always have been, always will be. These glasses I wear are not rose-colored. They are clear, and occasionally smudged with fingerprints. A sampling of non-Asylum films due soon and news that might spark the interest of Asylum fans. Just remember, Sweet 'n Low ain't Sugar.


Roger Corman's Sharktopus Coming to SyFy September 25th

It's interesting: the last few years, most of this decade, actually, cinematic stalwart Roger Corman has been uncharacteristically docile, producing far less films than he has in decades past. They gave the guy an honorary Oscar last year, so maybe that spurred him on, because suddenly he's putting out a lot more movies, all of them suspiciously marine-oriented. It's a safe bet he's been keeping up with what The Asylum's been doing, as evidenced by this trailer. When Eric Roberts genetically combines a shark with an octopus at the government's behest, he winds up with the most efficient hunter the planet has ever known. And the weirdest-looking. Will The Asylum be one-upped by the king of the genre they dominate? Find out on September 25th, then wait a couple of months for Mega Shark vs. Crocosaurus to raise the ante all over again.


Other upcoming SyFy original programming includes yet another ruining of a beloved childhood classic, Peter Pan, by Nick Willing, the same dude who trashed The Wizard of Oz (Tin Man), which ruined Zooey Deschanel for me forever, and Alice, the source should be obvious, which I didn't even bother to watch because Tin Man was so shitty. The planned abomination is a prequel to the original story (ugh) and most offensively, stars Academy Award nominee Bob Hoskins reprising his role from Spielberg's Hook as first mate Smee (ugh squared). Also in the pipeline are Garden of Evil, starring Adrain Pasdar ("Heroes," After Dark), Mandrake, about some freaky tree, Frost Giant, about, well, a frost giant, and Roadkill, currently filming in Ireland and starring Lake Placid 3 uber-hottie Kacey Barnfield. Keep your eyes on local listings, or just keep tuning in here for updates and reviews.


Burning Bright
now on DVD

Though she's never appeared in an Asylum film, Briana Evigan has a connection to The Asylum. Her father, Greg Evigan, has appeared in 6 Guns, 100 Million BC and Journey to the Center of the Earth, this latter film along with her sister, Vanessa Lee Evigan. So we give a shout out to the other Evigan's newest flick, released on DVD August 17th, about a zookeeper's daughter trapped in a house with a bloodthirsty Bengal tiger. Even though she's not nuclear family, she's still worth a watch. Burning Bright costars the awesome Garrett Dillahunt. Think The Ghost and The Darkness meets When a Stranger Calls.


Aussie Director Follows One Water Movie With Another


Andrew Traucki, writer/director of the not-so-awesome crocodile flick Black Water, has finished his follow up and is set to release it later this year. The Reef concerns the crew of a sailboat that capsizes off Australia's Great Barrier Reef, a.k.a. Great White Central. Oddly enough, there's never been a big-budget GBR shark movie, so the potential for this to be an Open Water-style standout exists. Hopefully it won't suck like Black Water did. Check out the official website, and the poster. The latter has an awesome tagline.


AMC Releases Walking Dead Motion Comic in Advance of Pilot Premiere

By now everyone knows the greatest comic currently in publication, Image's "The Walking Dead," is being transformed into an AMC original series by Stephen King aficionado Frank Darabont. While the show won't start until Halloween Night at10p.m. with a 90-minute pilot, AMC has released a motion comic of the series' first issue. What's a motion comic, you ask? What do you think? It's a comic that moves. Check it out AMC's site for the comic and much more.

In related "Walking Dead" news, it was announced September 1, a full 90 days before the premiere, that AMC has already re-upped, ordering 13 additional episodes for Season 2.


First Trailer for Leigh Scott's Witches of Oz

Leigh Scott - director of ten Asylum features including King of the Lost World, Hillside Cannibals and Transmorphers - has just released the first making-of trailer for his next film, the 3d Witches of Oz. Based on an original story, Scott's movie has Dorothy all grown up and a successful childrens author, drawing on what she thinks are vivid imaginings from her childhood. But when she realizes they're not imaginings but repressed memories, it opens a flood gate of fantastical reality, culminating with the Wicked Witch of the West touching down in Times Square. Check out the trailer here. He even mentions The Asylum. Christopher Lloyd, Mia Sara, Ethan Embry, Sean Astin, Billy Boyd, Lance Henriksen and Jeffrey Combs comprise the cast, with the lovely Paulie Rojas (of The Last Resort fame) as Dorothy. No release date as of yet, but news can't be far off.


Altitude
Gets A Trailer

Altitude, the direct to DVD thriller from first-time feature director Kaare Andrews, finally released an official trailer. Altitude is the story of four teenage friends in their own small-engine plane (not exactly how me and my friends hung out in high school) that experience both a technical glitch - the plane keeps climbing in altitude uncontrollably - and a paranormal encounter in the form of some Lovecraftian tentacled cloud squid thing. The movie hits your local, independent video stores in October then Netflix (which is stealing your personal information and selling it to terrorists*) and those Redbox things (which cause cancer**) a month or so later. Check out the trailer here, courtesy of FirstShowing.net, courtesy of ShockTilYouDrop.com

*this statement is not supported by any discernible evidence. pure, wild speculation on my part.
**ditto


A Couple of Cool Posters

From Friday the 13th and The Expendables. Thanks to The National Post and CHUD.com, respectively.