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Showing posts with label Sex Pot. Show all posts
Showing posts with label Sex Pot. Show all posts

Observation Notes Catch-Up: Comedies

I know not all my readers have been with me from the beginning, and I also know given the amount of postings I've made, things can get lost in the shuffle. I also know that I'm not the best at tagging uniformly, so there might be a few things, specifically Observation Notes, that go unread. As such, periodically I like to remind you - with links! - of the films I've reviewed, and I think a good way of grouping these is by genre. So here, for your catching-up or even revisiting pleasure, are the Comedies produced by The Asylum that I've reviewed thus far, along with links to the original posts. Enjoy!





 MILF
written by Jonny Haug
directed by Scott Wheeler












written & directed by Eric Forsberg













written By Naomi Selfman
directed by Tamara Olson
















written by Naomi Selfman
directed by Mark Quod

977's Unsolicited Yet Copyrighted Pitch #4: CASUAL ENCOUNTERS

In the tradition of Sex Pot, The 18 Year Old Virgin and, most recently, MILF, I humbly present this raucous sex comedy that I'm calling Casual Encounters. Like many other Asylum comedies, it centers around two friends, young men in their mid-20's, tentatively named Walt and Roddy (the latter name alone should provide three to five minutes of jokes, easy). Walt is our lead, a clean-cut nice-guy who's too nice for his own good. Roddy is his best friend, the more crass, vivacious and stoned of the two (Seth Cassel could be good here.).

Our film opens on graduation night, Walt and Roddy both having graduated that day, Walt from a journalism Master's program and Roddy from his 7-year Art History program (insert "it's where the chicks are" jokes here). Roddy has convinced a reluctant Walt to come with him to the big party that night, a thing Walt never does, being the quiet, bookish, stay-at-home, mild-mannered sort he is. But, since his girlfriend Jessica, another graduate, is busy with her girlfriends that night, and on account of the cajoling he's getting from Roddy in reference to his impending desertion of Roddy and this town for Jessica and the big city, Walt concedes. 

The party is an affair of debauchery, a mixture of college kids, grad students and the like, all enjoying a well-deserved break. While Roddy is revealed to be a natural reveler, Walt is the obvious awkward wallflower, standing alone, avoiding conversation, all-around not enjoying himself. But out of the corner of his eye he sees a girl running playfully upstairs, Jessica, he thinks. He makes his way across the party and goes upstairs, finds himself in an empty hallway with several doors, all of them open but one at the end. He goes to it, hears a minor skirmish and a squeal from inside. Thinking Jessica in trouble, he opens the door. In the room he finds Jessica, topless, her breasts covered in chocolate syrup, and two eager young men, naked, ready to clean her. All are a bit shocked. What follows is a difficult, awkward, and chocolate-breasted break-up (that the naked dudes observe) in which Jessica says they've been together too long, since high school, and she'd been feeling cooped up for a while now, like she was letting her sexiest days pass her by. Until recently he was the only man she'd ever been with (was?!?), and she just can't continue to waste all this (chocolate breasts) on one guy. Walt counters that they're supposed to move to the city (any city) the next day. Yeah...she's not coming. Maybe later they can get together, settle into that grown-up life Walt seems so eager for, but for now, she's young, she's hot, her moral compass for the moment is out of whack and she wants to flaunt it. Walt, spineless, concedes and even leaves the room, closing the door behind him so Jessica and her new friends can get back to business.

Roddy spots Walt, dejected, leaving the party and follows him out, gets the story. Walt is freaking out, he's got a deposit on an apartment in the city, needs to start looking for jobs, but going alone freaks him out even more; he's ruined, his life is over. Roddy steps in and says he'll move with Walt, he's spontaneous and unattached like that. So it's settled.

We pick up with the two friends in the city where in the process of moving in Roddy meets a comely neighbor and disappears to sex her up, leaving Walt alone to move in by himself. When Roddy returns Walt confronts him about this, how it will be, Roddy with the ladies and Walt all alone, and Roddy assuages him by saying all they have to do is get Walt back in the game himself and it will all balance out; he's a free man for the first time as an adult, the first time ever, he should get out there and hump anything that will let him. To prove his point, Roddy takes Walt to a nearby bar that night, tries to help him meet women, but Walt is hopelessly awkward, doesn't know how to talk to women, certainly doesn't know how to pick them up. It's a disaster, in short, and Walt leaves embarrassed, ashamed and alone, while Roddy scores again. When Roddy returns later that night, he and Walt have a talk about the problem, how Walt can't communicate with women in the moment like that, his brain seizes up and he can't think of anything to say. If only there was a way to pick up women without having to look at them. 

There is, Roddy declares, and grabs a laptop, directs Walt to a community message board that comes with a Casual Encounters section. Roddy explains the CE principle to Walt and why he thinks it's ideal: he's not looking for anything other than sex, he doesn't want to play games, and he doesn't want to talk face to face. He can communicate honestly and directly through writing, his strong suit. Walt doesn't know, he isn't sure, it sounds kind of, well, desperate and sketchy. It is sketchy and desperate, but so it the best sex, which Walt wouldn't know, having been with only one woman his whole life; he has to trust Roddy.

So trust he does, and allows Roddy to post an ad for him detailing what he wants in a sexual escapade. Walt has to get drunk as he does this, so nervous and timid he is, so it gets progressively lewder and thus funnier as he goes. Walt passes out before the ad is posted. Roddy finishes it for him by snapping a picture of Walt's package to post with the ad. As it turns out, Walt happens to be well-endowed, causing Roddy to curse all the time he spent writing when they could've just posted the pic.

When Walt wakes up in the morning, his inbox is flooded with willing women wanting to get down. Funny sequence going through the women, the pictures, the shapes, the sizes, the ages, the kinks, the personalities, all this, until he finds one that suits his purposes, someone, like him, that seems normal and even demure, bespectacled, quiet, just a mousy thing looking for a good time.

Now, from here we get into - pardon the pun - the meat of our movie, the encounters and how they effect him, so I don't want to give away much more than generalizations. What I can say is that the demure chick turns out to be the opposite, kinda dominatrix-y, the signs were all there in conversation but Walt didn't get it, and this rough but hilarious encounter freaks him out. Roddy convinces him to try again, promising this time to help him decipher the lingo via  "micro-blu," an inner ear blu tooth device (a dash of Cyrano de Bergerac never hurt a comedy). This is where the vagaries in description begin.

Walt goes on another encounter, Roddy talks him through to the good stuff. Things get a little freaky, and when it's over Walt forgets he still has the blu tooth in, allowing Roddy to have heard everything, which disturbs him and disturbs Roddy as well for how much it turned him on, so both agree this plan was a one-time thing.

As Walt continues to navigate the strange world of no-strings sex he meets an array of characters: cougars, BBWs, curious lesbians, goth girls, good, old-fashioned trashy sluts, other kinksters, and among these one girl, different from him, fiercely independent, edgy, but cautious, who answers his ad a few times, but takes it slow, talking only the first encounter, standing close without touching the second, progressing like that, because her kink is the build-up. Walt is falling for her in a weird way, but she'll have nothing of it, because once they consummate, the build-up is over. 

So as these aspects of our story wind around each other - the casual encounters eventually giving him the experience and confidence he needs to feel independent as a man and his burgeoning real affection for a girl he met that way - the monkeywrench of Jessica re-enters the picture. She's back, says she's been around and all she's found is that she had the best right where she was. She wants Walt back, wants to pick up where they left off, leaving Walt to make a difficult decision between his old, safe, static life and love or his new, exciting, dangerous and thrilling life, with it's possible new love (is there anything beyond the build-up? can it ever be more exciting?).

This one has it all: jokes, boobs, comic sex and a nice array of women characters sure to appeal to a broad range of men. Plus, I can't think of another sex-personals comedy off the top of my head, so it could be virgin territory, but without a single virgin. Would also work as a horror movie with minimal tweaks.

I'm just sayin'.

inmate profile: Eric Forsberg

Writer/Director Eric Forsberg has been a major productive force over at The Asylum for the last few years, with a seemingly-inexhaustible creativity that indicates he'll be churning out the hits for a while to come.

A native of Chicago, Forsberg started his writing and directing in the theater world, specifically in comedy, where one of his early successes was a noir-homage called Knatt Scatt Private Eye, starring a certain actor named Steve Carrell. This was in 1985. He also worked as an improv instructor for the famed Second City, teaching future notables such as - I shit you not - Stephen Colbert, Tim Meadows, Amy Sedaris and Rachel Dratch. So the guy knows talent, raw and honed. He's been in Hollywood going on 15 years and has carved a very comfortable - and well-deserved - spot at the big-kids table, Asylum-wise. Check his resume:

Writer or co-writer on:
Alien Abduction, Monster, Snakes on a Train, 30,000 Leagues Under the Sea, War of the Worlds 2: The Next Wave, Sex Pot and Mega Piranha.

Director of:
Alien Abduction, Sex Pot and Mega Piranha

Quickly becoming our next auteur, this inmate has a feeling Forsberg's on the verge of dropping a bomb on us, and not the bad kind, like, "wow, that movie bombed," but like, big explosions and cool fire and shit like that, you know, the "bomb." Lingo isn't a strong suit of mine. My point being, give this guy a treatment with vs. in the title, and I got a feeling the bar's going to be blown through the roof. Bar, as in a thing that's raised, not a place one drinks. Jeez.

Eric Forsberg, consider yourself saluted.

Asylum Posts First Trailer for MILF


Attention sex-comedy fanatics: today the fine folks at The Asylum released the official trailer for their Cougar-appreciation flick, MILF, debuting on DVD October 26th, in which young men bag a copious amount of sexually liberated older women. As if you couldn't figure that out. First impression, looks better than Sex Pot and The 18 Year Old Virgin, could be on par or even better than #1 Cheerleader Camp.

By the way, anyone else notice a certain aesthetic similarity in the above-linked posters, or is it just me?

October 26th, that's the release date. October 26th.

observation notes: Sex Pot


Sex and drugs - the PB&J of adulthood. And, like youth, too often the best of these are wasted on the young.

Take Sex Pot, for example, The Asylum's answer to Harold & Kumar etc. etc. etc.: magical weed and lascivious playmates are wasted on two dorks with no discernible social skills and a vocal affinity for masturbation.

Problem one: a magic bag of weed, the magic being that it makes women lose their inhibitions and fuck losers. That's not magic weed. That's just weed.

Problem two: women losing inhibitions. Inhibitions have to be had before they can be lost, and judging by the look of these women - yes, I'm judging them by their appearance, they're in their underwear on a movie box, I can do that - any inhibitions they came equipped with were stripped off a long time ago with, well, you can make your own joke here.

As for the rest of it, Seth Cassell - who you may remember I talked up in #1 Cheerleader Camp, but only in comparison to this - and the DJ Qualls impersonator that plays his buddy are perfectly believable as losers, but not at all as stoners (see Cassell's facial expression on the cover. there's a lot of that.). And somehow this makes the film weirdly watchable. The copious boobs help.

And speaking of boobs, they're only a small - well, not small, per se - facet of a script laced with nearly every raunchy cliche you can think of: hot-chick bowel movements, donkey show references, fruit-based mutual masturbation (twice I've used that word now. probably speaks more to the movie than the rest of this review), and lesbian dominatrixes. At times all this together felt a little over the top, too much, almost, but my wife reads these things, and she was sitting next to me when I put this one in - I know, I know - so I have to say that.

Bottom line, this is no comedy to write home about. But it is one to watch in a dark room by yourself with the door locked. If you like that kind of thing. Which apparently people do, because films like this get made all the time.

A couple of choice lines to set the mood:

"You sound like Harvey Milk doing a fucking porno."
(I don't know what this means.)

"Would you take pity on me, man? I have to crawl into a bathroom where the girl I just jerked off to took a big shit."
(keeping in mind this is said to the guy standing next to him when said masturbation occurred. [that's three times])