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Showing posts with label Mary Lambert. Show all posts
Showing posts with label Mary Lambert. Show all posts

Inmate Profile Catch-Up

I know not all of my readers have been with me since the beginning, and I also know I'm a lousy tagger. The combination of these things means that there are a lost of posts that perhaps you haven't seen. That being the case, every now and again I like to post a megapost, if you will, that can catch you up with all the posts under a certain heading. This week's heading: inmate profiles; below, please find a complete listing of every published profile to date. Enjoy!








Mega Python Gets a DVD Date!





It's the most asked question of the year (at least in certain circles): when will Mega Python vs Gatoroid be released on DVD?

The answer is now upon us: June 21st, 2011.

So mark your calenders now for the DVD event of the summer: the release of a truly spectacular creature feature from the fine folks at The Asylum.

The MPvG Ratings Have Come In


Well, the ratings are in from Saturday night's world premiere of Mega Python vs. Gatoroid: 2.35 million viewers. Not the record-breaking 2.51 we needed, nor the outlandish 2.8 million I predicted, but this is still a more than respectable number for a cable movie, and in fact helps SyFy Saturday nights continue its six-month streak of original movies with more than two million viewers. Hopefully this streak will stay alive until the next time The Asylum gets a shot at the title, the March premiere of Battle of Los Angeles.

Now that the dust has settled from Saturday's mega-marathon and I've had time to let my impressions of the film marinate in the old brainpan, I'm feeling more assured than ever that those initial impressions were correct: this movie fucking rocked. I agree with Committed-poster Tysto that act two got a little sluggish with exposition, but act three was nothing short of spectacular, a non-stop action-fest, and both leads showcased far superior acting skills from their previous Asylum efforts. Bottom line: Naomi Selfman's script was lively, buoyant, funny, thrilling and all-around on-point, and in putting it all together, director Mary Lambert has made one of the most enjoyable films of her highly-enjoyable career. This one is a forever-favorite of mine.

So congrats to all involved for the strong showing, and even more so for the strong film. Kudos!

Mega-Marathon Blogfest! Mega Live!

That's right ladies and gentlemen, boys and girls and other children of all ages, the time is at last upon us, the day we faithfully Committed have been anticipating like a month of Christmases:



Go ahead and get your TV nice and warmed up, because over the next six hours it's nothing but Asylum mega-flicks on SyFy - Mega Shark vs. Giant Octopus, Mega Piranha and the world television premiere of Mega Python vs. Gatoroid - and I'm gonna be prattling off live, right here, for the whole freakin' thing. I'm joined today by my lovely wife who has patiently agreed to sit near me while I geek out in such a mega fashion, and she even let me get her a t-shirt for the festivities.


So welcome! We got food, drinks, commentary, photo updates and live observation notes of the main event. I'll update this same post with a time stamp every time I leave a new comment, so just refresh your browser and scroll down for the latest shenanigans. And don't let me do all the talking! I'll be checking the comment boards live as well, so if you guys wanna chime in, add your own commentary or tear me a new one, go for it! We're all in this together! 


First up, the movie that started the mega craze, the movie with a top-ten most Googled trailer of 2009 (arguably the biggest spectacle year in Hollywood's history between District 9, Avatar, Star Trek, Up, 2012 and installments of the Transformers, Terminator, Harry Potter and Twilight franchises), the movie that turned an unknown megalodon into a household name:

  Mega Shark vs. Giant Octopus
 

5:01PM Ah, MSvGO. This will be the fifth time I've seen the film, and I swear each time it gets better. Gotta love the lengthy, elegiac opening. Beautiful shots, though. Lots of Asylum flicks open with these sweeping topographical montages. 100 Million BC, Dragon,  to name two.

Debbie's right..."there is poetry here." 

5:06PM Shout out to Jonathan Nation, the guy behind Debbie playing Vince. This guy is one of the most versatile supporting actors The Asylum has. He can play anybody, really. Check out his filmography

5:13PM I will never ever ever tire of watching Debbie Gibson swill liquor from a brown paper bag. It's like most other pop stars of her era these days. 

5:15PM First commercial, time for appetizers...



We got chips (shaped like shark teeth) and salsa con queso (cuz cheese rocks), a mega tub of cheese balls that I swear was a gift (which might say worse things about me than if I had purchased them myself) and jumbo shrimp. Yup. Jumbo shrimp. One could almost call them, by shrimp standards...mega. Oh yeah, I'm gonna be going there all night.

BTW...neat commercial about SyFy and IGN promoting the contest to help develop a SyFy original movie. If there's anyone actually following right now, tell me what you'd pitch.


5:22PM Still the BEST SHARK SCENE EVER!!! Shout out to Michael Parisi (if I have the right actor) for the one-scene performance in Asylum history!

5:29PM I've just decided, after seeing a couple commercials, I'll be doing a "bitch" count during MPvG, updating the stats at every commercial. Live blogging! Who knows what'll happen! 

5:34PM Check out the "do-me" eyes Debbie gives Vic upon their characters' first meeting. Steamy...

I often give some flack to these sorts of movies for over-explaining the scientific angle, but, and this just might be because I'm legitimately interested in sharks, but in this film these explanations, though copious, feel well-integrated and not at all forced or contrived.

5:38PM "What's that, a squid?"  (in disgruntled unison) "Octopus."  Ah, taxonomical humor, gets me every time. 

5:41PM Mega Shark, you sank my battleship! (couldn't resist) 

5:42PM Enter the Lamas...with a detainment camp joke...classy, Renegade. 

5:46PM Shout out to sonar tech (and Looney-nominee for Meteor Apocalypse) Cooper Harris.

5:52PM I am very stoked to learn Tiff and DG will be hosting premiere. My wife is excited to see Tiffany is wearing the same shirt as she.
  
5:56PM Still the MOST AWKWARD SEX SCENE EVER!!! And the quickest. And in the bluest broom closet. 

5:58PM DG to Vic: "I feel like we're just getting to know each other." After, you know, the broom closet sex. 

6:00PM Jet plane REJECTION by Giant Octopus. We need that guy on the Blazers. 

6:12PM Cocktail time! First up, a cocktail of my own creation, never-before tried, including by me, a little drink I'm calling The Electric Youth, in honor of the song by Ms. Gibson. Pour a couple fingers of vodka over ice, twice as much Mike's Hard Lemonade for that electric glow, then fill with soda. I'll give you the verdict in the minute. 



6:13PM Not bad. A refreshing citrusy libation to carry us warmly into act three.


6:16PM For me, the shark biting the Golden Gate Bridge will always be the quintessential Asylum image. There's a savage artistry to it that makes me smile every time. Nice work, Tiny Juggernaut. 

6:23PM I've decided that next Halloween I'm going as the guy in sunglasses holding the machine gun behind Vic Chao during the teleconference from Tokyo. Something about him just oozes badass. I think the actor is Conrad Lihilihi, whose only other credit is an episode of "I Didn't Know I Was Pregnant." Awesome. 

6:32PM "I still think about that night a lot." "Me too." "Every time I sweep up."   Ewwwwwwww. 

6:42PM Matt Lagan bellows a good order. 

6:49PM You're with us in spirit, Mr. Gable!  

6:55PM The shaking submarine scenes, as explained in the making-of featurette, worked off the old Star Trek method of shaking the camera while the performers sway to make it extra discombobulating. 

6:59PM Oh, man, sweet climax. This was the real Clash of the Titans. Farewell valiant Giant Octopus, and as for you Mega Shark, well, perhaps the next mega-marathon will feature your further exploits. And you, Ms. Gibson, we're two short hours away from catching up with you. But for now, we'll happily content ourselves with your "nemesis" and the next mega-marathon feature... 

Mega Piranha

7:01PM I've never actually seen this on TV...I wonder if it'll make sense without the boobs.
Mega Piranha was written and directed, of course, by Eric Forsberg, whose next Asylum project is the screenplay for  Almighty Thor.

7:04PM That's Mr. Forsberg there as the ambassador. 

7:06PM Enter the Brady. And the muscles that comprise Paul Logan

7:08PM And there's a pair of Looney-nominees, the lovely Tiffany and the impassioned Jude Gerard-Prest. Love the vests on both of them.

7:17PM Pizza's here! Naturally, I went with the biggest pie I could find, which at the moment is Pizza Hut's Big Dipper, basically just a doormat of cheesy bread with toppings and copious amounts of sweetened marinara for dipping. Only in America.



7:24PM I'm a big fan of the piranha effects here. To me, they have more personality than the ones in Piranha 3D. But, by and large, didn't care for Piranha 3D. Felt like the schmoes who made Epic, Date, Disaster, Superhero Movie etc. decided to do a send up of killer fish movies.

7:37PM When I say Barry Williams phoned this one in, it isn't the insult it usually is: so far every time he's been on screen he's been in a dimly lit environment talking into his phone. Nice work if you can get it.

7:48PM Another favorite moment of mine in this one is when Jude G-P has to be held back from rushing into the water to save the enemy soldier. The things he does with his hands are truly amazing.

7:51PM And for a scientist, G-P's character holds up remarkably well under torture.

7:54PM I loooooove the scenes of the kamikaze piranha launching themselves into buildings! This is one of the greatest action sequences in The Asylum's repertoire: between the great aerial footage, the CGI explosions and smoke, the shocking death of G-P, the screaming fit by Tiffany that ends with, "I just want to kill them all," and, of course, the piranha kick-assault by Paul Logan. Kudos, Mr. Forsberg.

8:00PM Thanks for following Jeff! We'll keep you apprised of all the good stuff, without giving too much away! 

8:07PM The next cocktail on the menu I'm calling a cherry bomb, for no reason. Remember, I'm a blogger, not a mixologist. Vodka to your liking, topped with cranberry juice and a splash of soda for carbonation, then a drizzle of grenadine for that extra flavor. Its a drink as sweet as Tiffany's voice.



8:15PM I've said it before and I'm sure I'll say it again, but Paul Logan has the best run in The Asylum: so confident, so determined, so angry. I saw that coming at me, I'd give up on the spot.


8:23PM Some men, when attempting to ambush armed soldiers, will rely on stealth, secrecy, and silence. Paul Logan's not some men; he wants to take some dudes out, he's gonna run right up and punch 'em.  

8:30PM Lauren - of course we still have the cheese balls, there are thousands of them!

8:31PM Cooper Harris, back on sonar.


8:43PM Some badass prop weapons they got in this. Wonder if Barry Bostwick made them.

8:45PM Reporter bites it! (or rather, get bitten)

8:47PM Damn I love the FX in this. They may not be the most realistic, but when dealing with piranha the size of minivans, realism isn't so important to me. The FX are, however, convincing enough, vicious enough, and a helluva lot of fun.

8:51PM "You're fish food" cracks me up every time, and then...BOOM! Chopper grab! What a one-two punch of screenwriting!

8:59PM Whew, another doozy. Mega Piranha gets it all right, from story to acting to FX and direction, this is just a perfect example of an Asylum film. No wonder it's so beloved. My only cringe came with the awkward, almost-inexplicable kiss between Tiffany and Paul Logan. Even upon multiple viewings, the love story in this I still don't see. But as exciting as seeing that again was, as exciting as the whole evening's been, it's all only been but a precursor to the moment we now find ourselves on the threshold of, the world television (west cast) premiere of easily the most anticipated film of the year...

Mega Python vs Gatoroid (!!!!!)



Man, this is some awesome stuff. Now, these are observation notes, my review of the film, but don't worry, I won't spoil it, promise. 

There are the ladies - both looking fabulous - and here comes the flick. Hold on! 

9:02PM Oh jeez. I think I've mentioned a time or two how scared I am of snakes, like really, really scared. Fake ones I can handle, but those there, those are very, very real.

On the plus side, DG's character is already proving herself to be a badass. Debbie fits that personality well; she's quite believable as a over-confident bitch. And I swear, that's a compliment.


Oh jeez, so many real snakes. Not cool.

9:05PM MPvG was written by Naomi Selfman, the same brilliant pen behind MSvC, so you know she knows her mega movies. 

Ooh, ooh, there's TIffany! And wow, one scene in and you can already sense how she's grown as an actress. She's less stiff, more even with her delivery, just generally more at ease.

9:09PM Hillbillies, apparently, despite being largely racist, have a penchant for mail order brides. I'm learning already.

So the basic gist is this: Debbie's a fanatic animal rights activist who frees a bunch of snakes from a lab and lets them go in the Everglades. Not an indigenous species, the naturally F-up the ecosystem, specifically the endangered alligator population. Tiffany is a gator-lovin' local sheriff. That's about as far as we've gotten.

9:14PM That's Carey Van Dyke playing Tiffany's fiance Justin. He's Barry's son and Shane's brother, and here exudes a casual confidence, a typical small town tough guy with a heart of gold. And Kathryn Johnson as Tiff's sister-in-law-enforcement is always a welcome addition to any cast.

Shh...first scene with Tiff and DG face to face; it's like Heat, but not a letdown. 

9:18PM First commercial. Bitch count: 3

So far this is pretty fun, it's light-hearted but not in a self-aware sense, rather just adopting not a lighter, but a less serious tone. When films like this feature military or political characters at their center, they tend to be heavier, more stern; but in instances like this, where it's regular people at the heart of the story - that is, people not trained to handle extreme situations - there's a more coloquial feel to things that I personally enjoy. I mean, I expect people with access to nuclear weapons to be able to handle most anything. It's when extreme stuff happens to normal people that I find the most to enjoy, and so far this film seems to be of that frame of mind.

9:26PM Kevin M. Horton as the younger deputy is turning out to be a notable member of the ensemble. I wouldn't call him comic relief, necessarily, but he is a light spot, and fun to watch.

9:29PM Man, like I said above, usually fake snakes don't mess with me, but these - are there are a lot of them - are pretty good, FX-wise, which is to say, I don't like them one bit. They are not skimping on the "mega" part of "mega python." I am not going to sleep well tonight at all. 

9:31PM Tiffany's rage-acting has gotten much, much better. 

Second commercial. Bitch count: 5

9:37PM Whoever just googled "Debbie Gibson feet pics" and got my blog, gross, and sorry for not having any pics. 

9:40PM "We need a bigger gator!" Uh-oh... 

9:42PM Just a note to say that this film has a unique look to it, that is, unique for Asylum films. It looks crisper, the action is smaller-scale (you know, local destruction instead of global) but sharper. Could be due to a bigger budget, or could be do that I'm seeing it for the first time on TV. Either way, Ms. Lambert's crafting herself a fine film here.

Oh, and it looks like - not a big spoiler here - whatever Gatoroid is, he's going to be steroid-induced.

9:47PM Enter the A. (Martinez) He's a steely herpetologist with a great peppered James-Hetfield-mustache who drops the bomb that the pythons are getting more mega. But they're not the only ones...

And...wait...a minute...Debbie Gibson pop song...metabolic graphics...this...is...MEGA PYTHON vs GATOROID!!!

9:52PM Yo...Gatoroid is well worth the wait. Looks better than Supercroc, more believable than Crocosaurus (sometimes big is too big. that's what she...nevermind). And apparently the term "gatoroid," like "python" here, stays the same whether referring to a singular or plural of the species. Awesome. 

9:57PM Another commercial. Bitch count still at 5. Here at the halfway point, I have to say I'm pretty pleased: the story's lively and moving along at a good pace, the acting is great across the board, both leads have come a long way from their previous mega-roles, and the FX so far have been pretty f'ing rad. And I got a feeling the best stuff is still to come. They keep mentioning a monkey...

10:03PM That bearded hillbilly fella, Kaiwi Lyman, who also appeared in MSvC, has an uncredited role in the Hollywood Thor as a viking. Nice to see a fellow beardo getting work. 

Ooh...cocktail party! Which can only mean there's a catifght looming. And...oh god...not monkey, Monkee. Mickey Dolenz. Hilarious that even though I knew he was in this, the way the story approached it, I was totally suckered off-guard. Nicely done, Ms. Selfman. Mickey looks good, by the way, and still has those acting chops.

10:12PM Oh yeah...I made desert:


That, my friends, is a two-pound rice krispie treat I frosted myself. That's the kind of time and weird devotion I have.

10:15PM Tiffany's sonic contribution, "Serpentine," is getting its air play. That song's actually growing on me. 

10:17PM And it's on now...CATFIGHT!!!

Honestly, the chemistry between these two, as rivals, is great. And I know they're all good for real, but they really seem to bring out the bitch in each other in the best possible way. Whatever camp value people attached to this because of the leads, fine, but from here on out, I don't think - within the genre, at least - these two have to be thought of as singers first. I don't know if TV movies are eligible, but this scene should definitely go up for Best Fight at the MTV Movie Awards. Make an exception; it's worth it. And the music that accompanies said fight? Hilariously appropriate.

10:18PM Everyone in Florida is armed! 

10:26PM Commerical. Bitch count: 7

Getting down to the home stretch here, the last half hour, act three, and I have to say that thus far I've been nothing but impressed. This is just good fun, thrilling and violent, light on its feet and packed with humor, horror, camp and a slight tough of self-awareness that has yet to feel contrived or overdone. It is what it promised to be: a helluva enjoyable way to spend a Saturday night.

10:30PM Now the terror goes metropolitan...nice. All this was missing was explosions.

10:31PM ASYLUM BLIMP!!! BALLER!!!

10:44PM Being extra careful now in this last bit not to give anything away. The FX are still great; the more I see - and there's a lot to see - the more I like. The snakes will be slithering in my nightmares for sure, and the gators are massive terrors. How they stack up to Supercroc and Crocosaurus is a guaranteed creature feature post sometime in the near, near future. 

10:51PM If there's anyone actually watching along with me, I hope you're having as much fun as I am...two words are coming to mind: Cult Classic

11:02PM Wow. That's really all I can say in the moment: wow. I'm pretty spent from all this, emotionally frazzled, you could say, and I want to give the film 24 hours to marinate in my mind before I post my overall thoughts, but for now, in the moment, I'm pleased. Everything I said I liked above was well-supported by an exciting and dynamic climax. In the moment, I liked it better than MSvC, and you guys know how much I liked that one. Check back on Monday for my final thoughts and hopefully some ratings info that puts viewership tonight over 2.5 million, the current record, held by - ick - Sharktopus. I'm predicting 2.8. We'll see. Anywho, thanks for indulging me, if you did, and following this insane whim. Who knows? Maybe we'll get the chance to do this again in March when Battle of Los Angeles gets its SyFy premiere. Okay guys, sweet dreams, thanks for tuning in, and as always, stay committed!

P.S. final bitch count: 8 





 

Princess and the Pony Released on DVD! Mega Python vs. Gatoroid This Weekend!

At long last, The Asylum's very first family film is released on DVD today! Check out my link-chronology below to get all the info Committed's ever published on the film, which is more than enough to get you up-to-date and amped. 

October 7, 2010 - 1st Furry Valentine is Princess and the Pony

October 11, 2010 - 1st Furry Valentine Wraps Production

December 10, 2010 - Princess and the Pony Gets a Poster

December 21, 2010 - Princess and the Pony Trailer Released

January 6, 2011 - Inmate Profile: Rachel Lee Goldenberg

January 20, 2011 - Observation Notes: Princess and the Pony


In other news, perhaps even bigger, less needed-to-be-reported news, Princess and the Pony isn't the only Asylum production hitting our greedy little eyes this week; Saturday night brings the world television premiere of Mega Python vs Gatoroid on SyFy as part of a mini-marathon that also includes Mega Shark vs. Giant Octopus and Mega Piranha. In addition to the clips already online, Entertainment Weekly's website scored an exclusive last-clip before the premiere. Nice of EW to run the clip, not so nice they call it "absurd." Seriously, this from the magazine that ran an article on The Room last week, a year and a half after anyone stopped caring, and also the magazine that considered Patricia Arquette's dead-eyed, marble-mouthed, robot-corpse character on "Medium" as the matriarch of "one of TV's finest families." So, you know, biiiiiiiig grain of salt with their opinions. Nevertheless, press is press and getting a shout-out in the biggest industry mag in the country is good no matter what they say. 

Only last night in NYC was the world premiere for MPvG held at the historic Ziegfield Theatre. Jump over here for some iPhone photos of the event taken by one David Michael Latt, as well as a link to some more professional shots.

So go out today and support the Asylum by renting Princess and the Pony at your local video store or Redbox thingamajig, or add it to your Netflix cue and check it out in six months or so when it gets to you. Then, if you don't already have plans for the MPvG premiere (and you live on the West Coast), you can watch it live along with me via the Mega-Marathon Blogfest! Mega Live! starting this Saturday, January 29th, at 5p.m. PST.

Bonne Observation!

Mega Python Director Interviewed! (not by me)

Fangoria - the king of my sorta film sites - has nabbed a major coup this morning and gotten an exclusive interview with Mega Python vs. Gatoroid (and Pet Sematery I & II) director Mary Lambert.

It's a great interview with an accomplished director offering unique insight into just how she approached something as complicated and under the public microscope of scrutiny as MPvG. Kudos to Fangoria for landing this. Attention for this movie has always been high, from the moment it was announced, but in the last couple of weeks it's really started to ramp up. 3 million viewers might not be as far-fetched as once was thought.

Do your part and tune in next Saturday night - not tomorrow, the Saturday after that - at 9p.m. for the premiere. And speaking of which (the premiere), stop back by this site mid-afternoon for another announcement about certain festivities in which you may or may not be wanting to participate.

inmate profile(s): Debbie Gibson & Tiffany

T-minus 10 days until the SyFy premiere of The Asylum's Mega Python vs Gatoroid, and since I've already brought you profiles on the film's director, Mary Lambert, as well as its screenwriter, Naomi Selfman, it seems like the perfect time to profile the films stars, Debbie Gibson (Mega Shark vs. Crocosaurus) and Tiffany (Mega Piranha).

Let's go ahead and get the elephant in the room out out the way: both of these women used to be teen idols, radio princesses, and yes, there was the perception of a bit of a rivalry between them - both struggling for the attention and allowances of the same demographic at the same time - but truthfully that perception seems to have come more from us than it did them. In fact, rumor has it that the very pairing of these two came at Tiffany's suggestion to play up their supposed rivalry. At the end of the day, both are seasoned performers with more than two decades under their belts in the industry of celebrity, and while the lion's share of media attention this film is receiving is due to the past careers of its stars, I'm here to talk about Debbie Gibson and Tiffany the actresses, not the former pop-divas we all know and love. After all, these are grown women, artists in transition, and what they're doing will always be more interesting than what they've done; thus is the evolving nature of art.

We'll begin with Ms. Gibson, because as Hollywood beginnings go, hers is definitely one of the coolest I know of: her very first film role, though uncredited, is in Ghostbusters. I shit you not. In the scene where Louis (Rick Moranis) is pursued by the dog/demon/Gozar thing through Central Park and ends up outside the Tavern on the Green, there is one table among the fabulously disinterested clientele celebrating the birthday of a young girl, as denoted by the presence of balloons; the young girl is Debbie Gibson. After this inconspicuous debut, Debbie went uncredited twice more - in Sweet Liberty and The Manhattan Project - before her music career blew up and next thing you knew, outside of a "90210" appearance as herself, acting had to retreat to the back burner for a few years. When the ever-shifting tides of popular music forewent bubble gum for grunge, Ms. Gibson fluttered for a few years about the reality television circuit for before launching a full-blown acting career at the start of this century. Since then she has worked steadily in independent films, on stage, in TV series and whatnot, but it wasn't until 2009 when Ms. Gibson signed on to a little film by the name of Mega Shark vs. Giant Octopus that the public really sat up and took notice. And wisely so: as captivated as we were by the fresh-faced teen-idol she was, the adult, mature, sultry and alluring Debbie Gibson was well worth the wait.


Tiffany has only recently transitioned into acting, while at the same time continuing her music career and releasing an album every few years (in fact, only a week or so ago Ms. Tiff released her latest single, "Serpentine," a country-ish, sassy ballad featured in MPvG and available on iTunes now). Though she started this last decade with a few guest spots here and there, some playing herself, some not, it wasn't until 2009 that she began to attract roles in films that didn't require her to sing. Necrosis - a zombie/ghost story involving the Donner Party - was the first such film that came along, and though the role it gave Tiff was still supporting, it reintroduced her to the celebrity sphere in a way that some brilliant, forward-thinking people in the industry leapt on, casting her in her first ever lead role, last year's SyFy Original triumph, Mega Piranha. And not only did she fit the lead like a glove, we, the world, loved her in it, enough to demand another go around. For additional info on Tiffany's burgeoning acting career and her involvement in Mega Python vs. Gatoroid, check out this interview conducted recently by the Daily Herald.




So there you have it, two women, two decades, two scarily-similar career trajectories. But now that they're together, playing to our gossip and long-simmering adolescent fantasies, things just feel...balanced, you know? Like at long last life is ready to start making sense. Tune in next Saturday night, January 29th, and watch the New World Order begin.

inmate profile: Mary Lambert

Man oh man did The Asylum score with this one: Mary Lambert, an acclaimed director with more than thirty years behind the camera, is the very director attached at the helm for this month's SyFy-debuting Asylum production Mega Python vs. Gatoroid, otherwise known as The Battle of the 80's Mall Icons. But they're neither here nor there; this one's all about Mary.

Ms. Lambert was born in the lovely state of Arkansas, which she promptly fled upon graduating high school to attend the prestigious Rhode Island School of Design. In the early 80's she honed her directoral skills on a number of iconic music videos, including two for Janet Jackson - "Nasty," and "Control" - and a quintet for Madonna - "La Isla Bonita," "Material Girl," "Borderline," "Like a Prayer," and, oh yeah, "Like a Virgin" - so she knows a little something about handling pop divas.


A pause here, as I think it's worth noting again Ms. Lambert's video resume. She directed "Like a Virgin." "Like a Virgin." That's the first video ever, as far as I'm concerned, certainly the first one that made a lasting impression on me. And, as someone who knew of Madonna before he knew of Marilyn Monroe, the "Material Girl" video was a spectacle the likes of which I'd never seen. And who can forget the daring, audacious artistry of "Like a Prayer" with Leon? These are some of the biggest visuals of my childhood, and knowing that a director capable of making such an impression is in the driver's seat of MPvG makes me feel very, very good inside. And checking out her actual filmography, it only gets better.


Ms. Lambert directed both Pet Sematary movies, the Traci Lords-Mark Dacascos version of the AIP classic Dragstrip Girl, the super-hot teen thriller The In Crowd, and the third installment of the Urban Legends franchise, Bloody Mary. So what it seems we have here is a highly capable director used to soliciting screams from bloodthirsty audiences worldwide in charge of the hottest film of early 2011.


Debbie, Tiffany, Mary at the helm and a script by proven-ace Naomi Selfman (#1 Cheerleader Camp, Mega Shark vs Crocosaurus): MPvG is a thriller creatively molded entirely by women, an Asylum first. Judging by the talent at their disposal, let's hope it the first of many to come.

Dig On These Stills From Mega Python vs Gatoroid


Man, we're getting a lot of news and stuff here at the end of the year - trailers, posters, announcements - and today the hits keep on coming with the posting of stills from the upcoming Asylum/SyFy original, Mega Python vs. Gatoroid.

These look pretty fucking rad, and that's coming from a confirmed, avid and lifelong ophidiophobe, so for the rest of you they should be out of this world! Still no actual full-on shot of the Gatoroid - still up in the air as to what exactly that is - but the picture of Tiff and Debbie paling around just became my new screensaver.

Check out the photos in anticipation of the film's January 29th premiere, 9pm EST/PST, only on SyFy.