So get thee to a Netflix, find a Redbox, or even - god forbid - a real brick-and-mortar video store, and treat yourself to ninety of the chilliest minutes the summer's ever seen.
Showing posts with label The Asylum. Show all posts
Showing posts with label The Asylum. Show all posts
100 DEGREES BELOW ZERO Now on DVD!
So get thee to a Netflix, find a Redbox, or even - god forbid - a real brick-and-mortar video store, and treat yourself to ninety of the chilliest minutes the summer's ever seen.
Exclusive Interview with AGE OF DINOSAURS Director Joseph Lawson!
COMMITTED: What can you tell us about the story of Age of Dinosaurs?
JOSEPH LAWSON: The story of AoD is that a father and daughter who definitely love each other though they've grown apart since the death of the mom must re-establish bonds and repair their relationship. With Dinosaurs. Okay, a LOT of dinosaurs. It's a pretty ambitious film with a number of threads including a harried police chief, the president of Geneti-Sharp who must reconcile his drive to save his company with what he has wrought, his minions and team plus a few other characters who each deal with their own fates in the face of a dinosaur herd... plus a particularly driven and vengeful Carnotaurus named Larry. I think folks will find a lot to have fun with in this movie. There are also a lot of homages to keep an eye out for, just like my previous flicks (Clash of the Empires and Nazis at the Center of the Earth).
C: Your last film - Clash of the Empires - had you traveling to Southeast Asia to shoot; where did AoD shoot, and how long of a shoot was it?
JL: Age of Dinosaurs was a 15 day shoot in Los Angeles and at East L.A. College, then a couple of days on a ranch out on the way to Pasadena. It was nice to be close to home even though the production was so tight on the heels of Clash of the Empires it was a real challenge to be prepared in time Fortunately, everyone had the same goal... to make the best dinosaur film we could with the time and resources we had. I feel the film looks like we spent a LOT more time shooting than we actually did and that's a credit to everyone in production.
C: What drew you to the project?
JL: I've always enjoyed dinosaur films where characters have to work things out while being chased. When the film showed up on our schedule I hoped it would be possible to direct though we have a lot of other excellent directors who were also interested. For whatever reasons the producers... thanks, gents... let it fall to me to get done. The other thing is that I was able to eke out from the first draft enough potential for emotional impact that it made it a good match for my sensibilities as a storyteller. In the director polish rewrites we added more interplay between father and daughter. Then on set there was a great chemistry between Treat Williams and Jillian Rose Reed and a genuinely magical moment that still brings tears to my eyes. Getting to work with Ronny Cox was also an amazing joy, an absolute gentleman on set and incredible to learn from (along with Treat). Overall, the fact that I was blessed to do a bona fide dinosaur film with such a great and motivated cast, crew and post teams made all the challenges worthwhile.
C: What kind of rad VFX can we expect?
JL: A lot of dinosaur shots, a lot of chomping action, some smart dinos, some not so smart dinos, the obligatory Asylum helicopter destruction or two, some shots that I think are among our best. David Michael Latt said epic, big so we did our best to deliver. He actually joked that our trailers are supposed to only be two minutes and the one for AoD was going to be 14... and that the trailer Brian Brinkman did was great and the movie actually delivered on the promise. I hope folks watching it will feel the same. Overall, it's great work from modeler Ken Brilliant, animators Dan Peters, Steve Clarke and John Karner with great VFX from Sasha Burrow, Aaron Witlin, Paul Knott and compositors Aine Graham and Derek Serra. I'm also thrilled with the sound design from our sound teams and Chris Ridenhour's score is just the right music for a JP 3.5 wannabe. ;-)
C: Were there any dinosaur movies you grew up loving, and did they have any influence on AoD?
JL: Valley of Gwangi, King Kong, ALL the Jurassic Park films.... anything where genuinely animated dinosaurs or great practical puppet work were the visual effects, not lizards with cardboard on the back. In the credits we say thank you to all the pioneers upon whose shoulders we humbly stand as filmmakers and visualists.
C: What's on the horizon for you? Any new projects in the works?
JL: Nothing concrete at the moment... a possible bigger budget science fiction actioner in the near future. They're also letting me write and hopefully direct a World War 2 movie in 2014 that could harken back to all the epic films I enjoyed growing up like Patton, Von Ryan's Express, Battle of the Bulge, The Great Escape... and, of course, always with a heart at the soul of it.
Age of DInosaurs hits DVD and Blu-Ray this coming Tuesday, May 7th. From the sound of things, we'd all be damn fools to miss it.
Posters Debut for 100 DEGREES BELOW ZERO and AGE OF DINOSAURS
This week saw 2 new posters pop up for upcoming Asylum productions 100 Degrees Below Zero and Age of Dinosaurs. Dig 'em:
100 Degrees Below Zero was directed by R.D. Braunstein (Layover) and written by myself, H. Perry Horton, and Richard Schenkman (Abraham Lincoln vs Zombies). The film will enjoy a brief theatrical run starting this Friday, April 12th, followed by a DVD/Blu-Ray release on June 11th. Jeff Fahey (Lost), John Rhy-Davies (LOTR, Raiders of the Lost Ark), Sarah Malakul Lane (Sharktopus, 12/12/12) and Mar McKevitt Ewins star.
Age of Dinosaurs was directed by Joseph Lawson (Nazis at the Center of the Earth, Clash of the Empires) and written by Hank Woon Jr. (500 MPH Storm). Treat Williams and Ronny Cox star, and the film streets on May 7th.
100 Degrees Below Zero was directed by R.D. Braunstein (Layover) and written by myself, H. Perry Horton, and Richard Schenkman (Abraham Lincoln vs Zombies). The film will enjoy a brief theatrical run starting this Friday, April 12th, followed by a DVD/Blu-Ray release on June 11th. Jeff Fahey (Lost), John Rhy-Davies (LOTR, Raiders of the Lost Ark), Sarah Malakul Lane (Sharktopus, 12/12/12) and Mar McKevitt Ewins star.
Age of Dinosaurs was directed by Joseph Lawson (Nazis at the Center of the Earth, Clash of the Empires) and written by Hank Woon Jr. (500 MPH Storm). Treat Williams and Ronny Cox star, and the film streets on May 7th.
AGE OF DINOSAURS Gets an Awesome Trailer!!!
Age Of Dinosaurs, the next Asylum feature from directer Joseph Lawson (Nazis at the Center of the Earth, Clash of the Empires) has at long last gotten a trailer, and man oh man does it kick ass. Check it out here.
In addition to the trailer, I've also seen the first 15 minutes of this gem (courtesy of a not-to-be-named source), and I can tell you, the first act lives up to the promise. Age of Dinosaurs was written by Hank Woon Jr. - who also penned 500 MPH Storm and contributed to the Atlantic Rim script - and stars Treat Williams (Hair, Deep Rising, Everwood), Ronny Cox (Robocop, Total Recall, Beverly Hills Cop) and Jillian Rose Reed (Awkward, My Super Pyscho Sweet 16 3). We have to wait until May 7th to see the whole film, but by the looks of the trailer, it's going to be worth the wait.
In addition to the trailer, I've also seen the first 15 minutes of this gem (courtesy of a not-to-be-named source), and I can tell you, the first act lives up to the promise. Age of Dinosaurs was written by Hank Woon Jr. - who also penned 500 MPH Storm and contributed to the Atlantic Rim script - and stars Treat Williams (Hair, Deep Rising, Everwood), Ronny Cox (Robocop, Total Recall, Beverly Hills Cop) and Jillian Rose Reed (Awkward, My Super Pyscho Sweet 16 3). We have to wait until May 7th to see the whole film, but by the looks of the trailer, it's going to be worth the wait.
3 More Asylum FIlms Go Theatrical!!!
This last one makes me RIDICULOUSLY HAPPY, as I was fortunate enough to get to write the script for it, along with Richard Schenkman (Abraham Lincoln vs Zombies). I was even more stoked to find out that one of the theaters showing 100 is right here in beautiful-ish Portland, Oregon, where I reside. So get ready for some rowdy photos from that showing.
No complete list is yet available of what theaters where will be hosting these Asylum flicks, but rest assured the second I know it, you'll know it. Viva Asylum!!!
2 New Asylum Films Revealed!
Sorry for the lack of posts lately, I've been mega-busy, but in my absence, there have been two new Asylum flicks announced, both of which sound pretty rad.
First up, there's AE: Apocalypse Earth, from writer director Thunder Levin (AmericanBattleship Warships, upcoming Sharknado), which tells the following story: A group of refugees from Earth land on an exotic planet, where they must fight ruthless aliens to survive.
A jungle-centric sci-fi adventure is always a good time in my book - see 100 Million BC, Alien Origin et al - especially given the cast: TV Highlander Adrian Paul, returning favorite Richard Grieco (Almighty Thor), and a newcomer, Costa Rican supermodel Bali Rodriguez, seen in this photo from the film's Facebook page.
I thought American Warships was a really tight action film, better than the piece of shit that sued it, and Levin's earlier work for the studio, writing 2010's 200MPH, was also impressive, and there's no denying the man's a mad genius just for the concept of Sharknado, let alone whatever instant masterpiece it will be, so count my hopes high indeed at the prospect of what this could be.
Next up there's Barrio Pitfighter, a hard-brawlin' ruckus from writer/director Jose Montesinos, who directed 2011's scintillatingly-awesome Barely Legal - thank you, sir - and reads as thus: A struggling martial arts teacher must compete in an underground fight ring in order to save his brother from a crime boss and reunite with his family.
The films stars Marco Antonio Alvarez, Dennis Ruel, and one Morgan Benoit, who's a Master of Long Fist Kung Fu according to his IMBD page, so expect some severe badassery from this flick.
AE: Apocalypse Earth is slated for release on May 28th of this year, with Barrio Pitfighter dropping less than a month later, on June 25th.
First up, there's AE: Apocalypse Earth, from writer director Thunder Levin (American
I thought American Warships was a really tight action film, better than the piece of shit that sued it, and Levin's earlier work for the studio, writing 2010's 200MPH, was also impressive, and there's no denying the man's a mad genius just for the concept of Sharknado, let alone whatever instant masterpiece it will be, so count my hopes high indeed at the prospect of what this could be.
Next up there's Barrio Pitfighter, a hard-brawlin' ruckus from writer/director Jose Montesinos, who directed 2011's scintillatingly-awesome Barely Legal - thank you, sir - and reads as thus: A struggling martial arts teacher must compete in an underground fight ring in order to save his brother from a crime boss and reunite with his family.
The films stars Marco Antonio Alvarez, Dennis Ruel, and one Morgan Benoit, who's a Master of Long Fist Kung Fu according to his IMBD page, so expect some severe badassery from this flick.
AE: Apocalypse Earth is slated for release on May 28th of this year, with Barrio Pitfighter dropping less than a month later, on June 25th.
500 MPH STORM Out Today!
Out today from The Asylum, 500 MPH Storm, a hypercane-disaster flick from director Daniel Lusko and screenwriter Hank Woon, Jr.
I watched this one myself over the weekend, and I have to say, it packs a punch. It also rocks a pretty great cast, headed by the always-excellent Casper Van Dien, as well as Asylum-mainstay Sarah Lieving, and Third Watch's Michael Beach. Lots of harrowing escapes from nature gone amok in this one, which makes for a thrilling 90 minutes.
So stop what you're doing and get the to a DVD/Blu-Ray dispensary and procure the latest treasure from the fine folks at The Asylum. Now. Go. Hurry!
I watched this one myself over the weekend, and I have to say, it packs a punch. It also rocks a pretty great cast, headed by the always-excellent Casper Van Dien, as well as Asylum-mainstay Sarah Lieving, and Third Watch's Michael Beach. Lots of harrowing escapes from nature gone amok in this one, which makes for a thrilling 90 minutes.
So stop what you're doing and get the to a DVD/Blu-Ray dispensary and procure the latest treasure from the fine folks at The Asylum. Now. Go. Hurry!
RAD Poster for The Asylum's JACK THE GIANT KILLER!
We learned a few weeks ago that there was another Asylum film in the pipeline, Mark Atkins' Jack the Giant Killer, the studio's twist on the classic fairy tale. We already knew about the cast and crew, but today we got our first look at the film's poster, and man oh man what a poster it is. Dig it:
I don't know about you, but that looks pretty f'ing awesome to me. And that tagline: "Jack went up the beanstalk, and brought down Hell." Holy shit that's badass. And check out that Mega Horny Toad. This movie is going to be SPECTACULAR, mark my words.
Only a little more than a month until this one streets, on March 12th.
Only a little more than a month until this one streets, on March 12th.
A Bunch of Info on a Bunch of New Asylum Projects!
With the New Year now in full swing, there comes info on a handful of The Asylum's 2013 slate, including release dates, new projects, and posters. Let's get into this, shall we?
First up, there's a new poster and a release date for last Halloween's SyFy-Zombie venture, Rise of the Zombies. I don't know what's scarier here, the zombie horde, or huge Trejo-face.
The film also stars Mariel Hemingway, Ethan Suplee, Heather Hemmens, French Stewart, and LeVar Burton, and comes courtesy of director Nick Lyon, maestro of 2011's Zombie Apocalypse - shout out to the zombie tiger - working off a script from Keith Allen and Delondra Williams. This gore-fest lands on February 12th, Lincoln's Birthday.
Next up is 500 MPH Storm, whose poster can be found a few inches below this in the previous post. The storm-flick features Casper Van Dien, Michael Beach, and Sarah Lieving, and will street on February 26th, Johnny Cash's birthday.
Then there's plot, cast, and release date info on two new Asylum films, 100 Below Zero and Age of Dinosaurs.
The former (a.k.a. Dead World and 50 Degrees Below Zero) is a polar disaster flick from director Richard Braunstein (Layover) and screenwriters Richard Schenkman (Abraham Lincoln vs. Zombies) & H. Perry Horton (2-Headed Shark Attack, this blog). The plot:
"When a chain of volcanic eruptions rips through Europe, the enormous ash cloud blocks out the sun, plunging the continent into a new ice age. An American couple must find their college-aged kids and get them out of Paris before it freezes over."
The film stars Jeff Fahey, Johnathan Rhys-Davies, and the lovely Sara Malakul Lane (left), and will be released on July 23rd.
Then there's Age of Dinosaurs, which we already knew was directed by the super-talented - and a Committed fan fave - Joseph Lawson (Nazis at the Center of the Earth, Clash of the Empires), written by Hank Woon Jr. (the above-mentioned 500 MPH Storm), and stars Treat Williams and Ronny Cox, but what we didn't know is just what this yarn's about. Well, now we know:
"Using breakthrough flesh-regeneration technology, a biotech firm creates a set of living dinosaurs. But when the creatures escape their museum exhibit and terrorize Los Angeles, a former firefighter must rescue his teenage daughter from the chaos brought on by the Age of Dinosaurs."
Film streets May 7th.
First up, there's a new poster and a release date for last Halloween's SyFy-Zombie venture, Rise of the Zombies. I don't know what's scarier here, the zombie horde, or huge Trejo-face.
Next up is 500 MPH Storm, whose poster can be found a few inches below this in the previous post. The storm-flick features Casper Van Dien, Michael Beach, and Sarah Lieving, and will street on February 26th, Johnny Cash's birthday.
Then there's plot, cast, and release date info on two new Asylum films, 100 Below Zero and Age of Dinosaurs.
The former (a.k.a. Dead World and 50 Degrees Below Zero) is a polar disaster flick from director Richard Braunstein (Layover) and screenwriters Richard Schenkman (Abraham Lincoln vs. Zombies) & H. Perry Horton (2-Headed Shark Attack, this blog). The plot: "When a chain of volcanic eruptions rips through Europe, the enormous ash cloud blocks out the sun, plunging the continent into a new ice age. An American couple must find their college-aged kids and get them out of Paris before it freezes over."
The film stars Jeff Fahey, Johnathan Rhys-Davies, and the lovely Sara Malakul Lane (left), and will be released on July 23rd.
Then there's Age of Dinosaurs, which we already knew was directed by the super-talented - and a Committed fan fave - Joseph Lawson (Nazis at the Center of the Earth, Clash of the Empires), written by Hank Woon Jr. (the above-mentioned 500 MPH Storm), and stars Treat Williams and Ronny Cox, but what we didn't know is just what this yarn's about. Well, now we know:
"Using breakthrough flesh-regeneration technology, a biotech firm creates a set of living dinosaurs. But when the creatures escape their museum exhibit and terrorize Los Angeles, a former firefighter must rescue his teenage daughter from the chaos brought on by the Age of Dinosaurs."
Film streets May 7th.
500 MPH STORM Gets a RAD Poster!!!
The next disaster flick from The Asylum - 500 MPH Storm - isn't due to street for another month, but today we got ourselves a look at the poster for the windy shindig, and it's typically awesome. Behold:
What'd I tell you? My favorite part is the single car flying through the air off to the left. There's always one dolt who tries to out-drive the hypercane.
500 MPH Storm stars the one and only Casper Van Dien (Starship Troopers, Sleepy Hollow, Python), Michael Beach ( ER, Third Watch), and - yes Asylum fans - the inimitable Sarah Lieving, veteran of more Asylum films than any other actor living or deceased. This marks Ms. Lieving's 14th time in front of Asylum cameras, the last being, of course, 2011's Mega Shark vs Crocosaurus. So if for nothing else, respect demands you see this film at least three times.
500 MPH Storm is directed by documentarian Daniel Lusko, and scripted by Hank Woon Jr., the pen behind another upcoming Asylum film, Age of Dinosaurs.
We can expect a trailer in a few weeks or so to further whet our appetite, but after that we'll have to wait all the way until February 26th to see the whole thing.
What'd I tell you? My favorite part is the single car flying through the air off to the left. There's always one dolt who tries to out-drive the hypercane.
500 MPH Storm stars the one and only Casper Van Dien (Starship Troopers, Sleepy Hollow, Python), Michael Beach ( ER, Third Watch), and - yes Asylum fans - the inimitable Sarah Lieving, veteran of more Asylum films than any other actor living or deceased. This marks Ms. Lieving's 14th time in front of Asylum cameras, the last being, of course, 2011's Mega Shark vs Crocosaurus. So if for nothing else, respect demands you see this film at least three times.
500 MPH Storm is directed by documentarian Daniel Lusko, and scripted by Hank Woon Jr., the pen behind another upcoming Asylum film, Age of Dinosaurs.
We can expect a trailer in a few weeks or so to further whet our appetite, but after that we'll have to wait all the way until February 26th to see the whole thing.
It's That Time Again...The 2012 Asylum Looney Awards!!!
First and foremost, the nominations are gone. To call myself biased would be a laughable understatement: not only did I contribute to three Asylum films this year, I'm acquainted with many of the fine, talented people who worked on most of the others, so for me to decide which films and performances are worth rewarding would be grossly unfair. So here's how were going to work it. At this link, you'll find The Asylum's list of all their 2012 productions. All you have to do is email your ONE winner in each of the below categories, and from there, he(she/they/it) with the most votes, wins. Easy, right? Of course it is. Let's check out those categories...
BEST PICTURE
BEST ACTOR
BEST ACTRESS
BEST SUPPORTING ACTOR
BEST SUPPORTING ACTRESS
BEST PERFORMANCE BY A NON-HUMAN*
BEST SCREENPLAY
BEST DIRECTOR
BEST CINEMATOGRAPHY
BEST SCORE
BEST VISUAL EFFECTS
BEST ASYLUM MOMENT OF THE YEAR
Couple of new categories in there, that's just me keeping it fresh for you. So then, once again, simply email your winners, one per category, to AsylumLoonies@hotmail.com, by THURSDAY, FEBRUARY 28th. Winners will be announced right here the very next day. That gives you plenty of time to get your hands on the flicks you haven't seen yet.
So now it's on you, Asylum-fans, not only to get your votes in, but to spread the good word far and wide. With a staggering 19 films released in 2012, there's a lot of greatness to choose from; it was The Asylum's most prolific year to date, so let's show our support and admiration by responding with a record number of votes. The clock is ticking!
* = can be animal, mineral, or meteorlogical
observation notes: AGE OF THE HOBBITS
Out December 11th from The Asylum is Age of the Hobbits, the second film from director Joseph J. Lawson (Nazis at the Center of the Earth) and the latest script from Eric Forsberg (Almighty Thor, Mega Piranha). No doubt anything you've heard about this film until now has tied in somehow to a legal discrepancy between The Asylum and the makers of The Hobbit. Having not seen the latter, I can still assume that in name alone is where any resemblance shared by these two films comes to an end. Yes, AotH is a fantasy epic, but its roots are steeped in anthropological history, and though there are those aforementioned fantastic elements, AotH bears more in common with films like Apocalypto, or Quest for Fire. Check out the official synopsis:"In an ancient age, peace-loving tribe are enslaved by a race of flesh-eating dragon-riders. The young tribesman Goben must join forces with their neighbor giants, the humans, to free his people and vanquish their enemies."
So there we start, 12,000 years in the past, embroiled in an unbalanced skirmish between Lilliputian tribesmen and gnarly-toothed cannibals, which the tribesmen attempt to balance by teaming up with those weirdo tall people the next valley over. Now, y'all know I am not a critic, I am a fan, and as such, I'm not here to dissect this movie for you, I'm here to tell you all the awesome reasons you should see it, without spoiling any of the juicy bits. So in the ever-present interest of staying spoiler-free, all I'll say of the plot is that Eric Forsberg is one of the smartest dudes writing B-movies today. It's easy to cram a lot of science, history, facts or what have you into a script, but to get it in there seamlessly, where it doesn't sound like actors reciting Wikipedia entries, and in fact weaves among the narrative in a way that is not only natural but integral, is a real accomplishment. Believe me. Forsberg here has delivered a story from an ancient age that feels timeless, a struggle as old as our kind, and as such utterly relatable. It's a thrilling, frightening, smart, suspenseful, imaginative, and truly touching story, beautifully brought to life by director Lawson.
You know the one thing never effected by a movie's budget? The eye of the guy behind the lens. David Lean could have directed Manos, and you better believe no matter what the outcome, that thing would have looked good. Lawson is one of those guys. The way he sees his movie, the shots he frames, the times he comes in close or steps back, the vitality to his action sequences, the emotional intimacy he elicits between characters; this guy's a born director, and for my money, his passion and knowledge are blindingly apparent in each frame. Team this with a great script, and what you get isn't just a good Asylum movie, it's a good movie, period. Haters are going to have to stretch on this one.
When it comes to the cast, the names here are Christopher Judge from the Stargate TV stuff, and Bai Ling, of Crank 2 fame. Both are perfectly suited for their roles and pull them off well, but the real stars here are the tribespeople. Sun Korng as Goben and the others who play his family, they're the heart of this movie; the purity of spirit they exude, the unspoiled sense of purpose and dedicaiton to family, faith, and freedom they extract from their characters are powerful, palpable things, eliciting more than just the typical B-movie range of emotions. Today I genuinely teared up watching an Asylum movie. Who'd of thunk?
So...story? Check. Direction? Check. Performances? Check. Add to this pretty awesme creature VFX and yet another amazing score from Chris Ridenhour - I'm running out of great things to say about this guy. Truly A-list talent. - and what you get is another contender for best Asylum film of the year. It hits DVD, Blu-Ray, and VOD on Tuesday: be there.
Exclusive Interview with AGE OF THE HOBBITS Director Joseph Lawson!
Without a doubt, one of the best Asylum films to date - not just this year, but ever - is Nazis at the Center of the Earth. This mindbending adventure-sci-fi flick commanded international attention and is often the first film mentioned when people (like me and my friends) talk about the Asylum-renaissance that's been transpiring this year: a blend of better stories, better effects, and better direction.
In the case of NATCOTE, the director in question was Joseph Lawson - supervisor of the studio's in-house VFX department - working off a script from Asylum producer Paul Bales (Sherlock Holmes, Legion of the Dead). The film was Lawson's first at the helm, and was quickly recognized as the work of a great new director. Lawson returns this December with the hotly-anticipated Age of the Hobbits, an old-world tribal epic from the pen of Eric Forsberg (MegaPiranha, Almighty Thor). He was kind enough to take time out of his scarily-hectic schedule to talk to Committed about his career, passion for filmmaking, and AotH.
COMMITTED: First of all - my readers are dying for any tidbits you can give about the concept or plot of Age of the Hobbits.
Joseph Lawson: Think Apocalypto meets Frank Frazetta by way of David Lean and Steve Spielberg with a healthy dose of John Carpenter and Sam Raimi... a fantasy and creature battle epic somewhat inspired by the true scientific paleontological Homo Floresiensis living in Indonesia of 12,000 years ago. It's all through the Asylum filter, of course, including scientifically accurate winged and flying Komodo dragons. It's a very exciting Eric Forsberg script with gorgeous cinematography by Richard Vialet and it was an adventure to shoot!
C: What drew you to visual effects? What steps did you take to turn your interest into a career?
JL: I've been interested in both VFX and directing since I was 10, easy. The kids in J.J. Abrams' Super 8? That was me. The first thing I committed to Super 8 film was a visual effect Star Trek Starship, rechristened The Hood, NCC 1707, and I directed the one reel film with friends in it as well. It was the first of many including a jungle war movie in the depths of Okinawa. Over the years, everything has been grist for that mill... making choices that allowed for opportunities to write, direct, act, edit, do visual effects. Commercials at KRTV-3 in Great Falls, Montana... my own animation business... working for Foundation Imaging on and CG directing an episode of Roughnecks: The Starship Troopers Chronicles... so many great opportunities to work with hundreds of people far more talented and capable than I to learn as much as possible.
The first thing, though, is you have to commit to the path. I truly believe that luck is where opportunity and preparation meet for those willing to grasp at the brass ring. It's not just about being at the right place at the right time... it's about training enough so that when you DO say "hey, give me a chance, please..." to folks willing to take a chance on you, you've both earned it and are ready for it.
My wife forwarded me another saying shortly after taking on this film... "Don't just follow your dreams, lead them." I've been blessed to get that opportunity more than a few times.
C: How did you come to work with The Asylum?
JL: I was brought aboard in 2010 by another great artist and VFX supervisor, Mark Kochinski (now at Disney) to help start up the facility in-house. At the time, my only familiarity with Asylum was Pirates of Treasure Island, which I'd rented about a month before even KNOWING there was an Asylum. It took a bit of convincing to get me aboard. It was a challenging start with lots of technical and time hurdles to overcome but over the years we've been able to build an amazing little group of folks who accomplish far more with the resources and time than I think they'll ever get fair credit for. The producers, Latt, Rimawi and Bales, have given us a lot of support and patience as we've learned and grown with each new challenge. We strive to get better every show and, on the whole, I think our trend has been upward hopefully with good entertainment results.
C: What's been the hardest part about transitioning from VFX supervisor to director? What's been the best part?
JL: The hardest part is leaving behind such a great group of people in the department. We have a lot of fun in VFX while hunkering down to meet the deadlines. It's also hard to switch gears from juggling up to five films at once to suddenly concentrating on one exclusively and away from everything you know. And being away from my personal family on Age was a challenge, though my wife and kids, God bless them, are the biggest supporters of this crazy dream.
The best part, besides just the absolute "this is what I was born to do" joy of directing, is getting to know and respect even more than ever the folks in production and what THEY have to do to get an Asylum film done. Watching the dedication and artistry of people like line producer Anthony Fankhauser, the make-up work of Haley O'Neil, the stunts of Jerry Earr, the various folks on our Cambodian cast and crew and the amazing things sound man Alex Hutchinson has to do to get great audio is humbling and educational. It's probably one of the best and most challenging film schools on the planet, for those with the iron will to take it on.
In post, working with Rob Pallatina a second time in editorial has been great because we've developed such a fantastic shorthand as a team. The Chris Ridenhour score is an emotional, orchestral and auditory powerhouse. The sound departments' creations are a wonderful ear loving canvas, the color correction by Mark Quod and his crew is rich and gorgeous, and the disc work by David Courtice is really cool.
One should also always remember behind the scenes folks like Judith, Kala, Courtney and Kendall who handle all the heavy lifting of getting the film distributed, seen and sold. There are so many more good folks at The Asylum giving them all their deserved kudos could fill THREE of these interviews!
So, it all comes down to storytelling and characters or situations you enjoy spending time with... and co-workers you enjoy spending even MORE time with.
C: How do you select the projects you direct? What draws you to a project?
JL: I select being involved with any project based on two sets of things... is the story cool/fun/exciting/emotionally compelling and does at least one part genuinely make me cry (and not out of pain) or laugh. If that happens... and my wife Kelly has been there when I cried as a result of character situations for both Nazis, Age and the next one... then I feel like maybe something can be drawn out that will similarly touch the audience. Ultimately, whether a film has an Asylum budget or a two hundred million budget, if you care about the characters then people will be entertained.
What draws me to it in the first place is the ability to create good, strong visuals and weave a story no matter what the limitations. That and for Age, Latt handed me a piece of notepaper with this list: 1. You 2. Direct 3. AotH 4. Cambodia. Both Rimawi and Bales also seemed pretty excited by the prospect. Who can resist that?
C: Who are some of your favorite/most inspirational directors?
JL: David Lean. Steven Spielberg. Peter Jackson. James Cameron. Robert Wise. J.J. Abrams. John Landis. John Carpenter. Robert Rodriguez. Peter Weir. Ridley Scott. I could honestly go on and on but those would be the folks whose films have most affected my vision and approach over the years. Ultimately, every director has had an effect whether it's in the inspirational vein or the Mystery Science Theatre school of how NOT to make movies. I just hope when my turn comes at the bigger bat, I'm qualified to hold even a tiny little candle to their amazing creations.
C: You shot AotH on location in Cambodia; what sort of challenges did you face shooting in a foreign country with a presumably small crew?
JL: Snakes. Land mines. Goats. Dangerous pot-hole filled travel. Rugged hikes. Monsoons. Sketchy food. A very long plane flight. Lots of shots. Wait, why DID we do this? Simple: at age 49 David Lean shot Bridge on the River Kwai just north in Burma... so while it's a huge bar to aim for in 15 days, it's also the fulfillment of a personal lifelong dream... to shoot with epic scope in a far off land not seen by many western cameras for a feature style film. Cambodia is one of those last best places so we have a GREAT and enthusiastic crew with a mix of Asylum vets and new eyes. We've gotten some fun stuff to see and the hope is that the end result of a cool action movie makes all the challenges worth it.
C: Anything you can tell us about the release?
JL: It's a feature packed disc, this DVD/Blu Ray. There's a gag reel, a really sweet making of by Cody Peck, the really-sells-it-but-doesn't-tell-it kick-butt cool trailer by Brian Brinkman, four deleted scenes and a commentary where I get to sit in with editor Rob Pallitina and the wonderful Christopher Judge (who played Amthar) to have a lot of fun... with a surprise appearance by Richard Vialet, our DP. It'll also be on VOD and at Redbox (under a different title, I believe) all on December 11th.
C: Any Joe Lawson dream projects or people you're dying to collaborate with?
JL: I have a ton of personal story ideas and projects I'd love to do, as any writer/director does, and world building of places we HAVEN'T already gone would be a great opportunity and challenge. Playing in other folks realms, though, I'd be thrilled to get to direct a Game of Thrones episode (or five or ten), or to be part of a Star Wars live action series... and I'd actually love to have the chance to revisit a very familiar place with a different take on NATCOTE... but beyond that, someday I look forward to having the chance to pitch, write and direct the ideas and stories that I've gathered over the years.
As far as collaborating, well... it can be the most fun part of the job and there are so many talented and creative folks in so many disciplines here at the Asylum and elsewhere. To work with any of the living folks on my director list would be a dream of a lifetime.
Heck, if Peter Jackson saw fit to take some time to watch this latest little film, THAT would be truly amazing... and he could return the favor of putting an arrow through MY chest in some future film. Consider him humbly and respectfully invited to do so.
More importantly, though, in the spirit of encouraging folks to take a chance on their own dreams: get out there and get that ball rolling because the filmmakers I most look forward to collaborating with someday are, Mr., Miss and Mrs. Reader: YOU!
Lawson's next feature is Age of the Dinosaurs: "Age of Dinosaurs, which is now in post, stars Treat Williams (Prince of the City, Deep Rising, 1941, Hair and TVs Everwood), Ronny Cox (Robocop, Total Recall, Deliverance) and Jillian Rose Reed (Awkward, Weeds) and was written by northwesterner Hank Woon. Set to release in May, 2013, it's the simple tale of a father and daughter rediscovering their love for each other in a city filled with rampaging dinosaurs. For his third film in one year Joe reteams with cinematographer Richard Vialet (AotH), editor Rob Pallatina (NATCOTE and AotH) and composer Chris Ridenhour for this action adventure through the streets of Los Angeles. We like to think of it as Jurassic Park 3.5."
Age of the Hobbits, as Mr. Lawson said, is out on DVD, Blu-Ray and VOD December 11th. Get your hands on a copy for what promises to be a truly epic adventure.
In the case of NATCOTE, the director in question was Joseph Lawson - supervisor of the studio's in-house VFX department - working off a script from Asylum producer Paul Bales (Sherlock Holmes, Legion of the Dead). The film was Lawson's first at the helm, and was quickly recognized as the work of a great new director. Lawson returns this December with the hotly-anticipated Age of the Hobbits, an old-world tribal epic from the pen of Eric Forsberg (MegaPiranha, Almighty Thor). He was kind enough to take time out of his scarily-hectic schedule to talk to Committed about his career, passion for filmmaking, and AotH.
COMMITTED: First of all - my readers are dying for any tidbits you can give about the concept or plot of Age of the Hobbits.
Joseph Lawson: Think Apocalypto meets Frank Frazetta by way of David Lean and Steve Spielberg with a healthy dose of John Carpenter and Sam Raimi... a fantasy and creature battle epic somewhat inspired by the true scientific paleontological Homo Floresiensis living in Indonesia of 12,000 years ago. It's all through the Asylum filter, of course, including scientifically accurate winged and flying Komodo dragons. It's a very exciting Eric Forsberg script with gorgeous cinematography by Richard Vialet and it was an adventure to shoot!
C: What drew you to visual effects? What steps did you take to turn your interest into a career?
JL: I've been interested in both VFX and directing since I was 10, easy. The kids in J.J. Abrams' Super 8? That was me. The first thing I committed to Super 8 film was a visual effect Star Trek Starship, rechristened The Hood, NCC 1707, and I directed the one reel film with friends in it as well. It was the first of many including a jungle war movie in the depths of Okinawa. Over the years, everything has been grist for that mill... making choices that allowed for opportunities to write, direct, act, edit, do visual effects. Commercials at KRTV-3 in Great Falls, Montana... my own animation business... working for Foundation Imaging on and CG directing an episode of Roughnecks: The Starship Troopers Chronicles... so many great opportunities to work with hundreds of people far more talented and capable than I to learn as much as possible.
The first thing, though, is you have to commit to the path. I truly believe that luck is where opportunity and preparation meet for those willing to grasp at the brass ring. It's not just about being at the right place at the right time... it's about training enough so that when you DO say "hey, give me a chance, please..." to folks willing to take a chance on you, you've both earned it and are ready for it.
My wife forwarded me another saying shortly after taking on this film... "Don't just follow your dreams, lead them." I've been blessed to get that opportunity more than a few times.
C: How did you come to work with The Asylum?
JL: I was brought aboard in 2010 by another great artist and VFX supervisor, Mark Kochinski (now at Disney) to help start up the facility in-house. At the time, my only familiarity with Asylum was Pirates of Treasure Island, which I'd rented about a month before even KNOWING there was an Asylum. It took a bit of convincing to get me aboard. It was a challenging start with lots of technical and time hurdles to overcome but over the years we've been able to build an amazing little group of folks who accomplish far more with the resources and time than I think they'll ever get fair credit for. The producers, Latt, Rimawi and Bales, have given us a lot of support and patience as we've learned and grown with each new challenge. We strive to get better every show and, on the whole, I think our trend has been upward hopefully with good entertainment results.
C: What's been the hardest part about transitioning from VFX supervisor to director? What's been the best part?
JL: The hardest part is leaving behind such a great group of people in the department. We have a lot of fun in VFX while hunkering down to meet the deadlines. It's also hard to switch gears from juggling up to five films at once to suddenly concentrating on one exclusively and away from everything you know. And being away from my personal family on Age was a challenge, though my wife and kids, God bless them, are the biggest supporters of this crazy dream.
The best part, besides just the absolute "this is what I was born to do" joy of directing, is getting to know and respect even more than ever the folks in production and what THEY have to do to get an Asylum film done. Watching the dedication and artistry of people like line producer Anthony Fankhauser, the make-up work of Haley O'Neil, the stunts of Jerry Earr, the various folks on our Cambodian cast and crew and the amazing things sound man Alex Hutchinson has to do to get great audio is humbling and educational. It's probably one of the best and most challenging film schools on the planet, for those with the iron will to take it on.
In post, working with Rob Pallatina a second time in editorial has been great because we've developed such a fantastic shorthand as a team. The Chris Ridenhour score is an emotional, orchestral and auditory powerhouse. The sound departments' creations are a wonderful ear loving canvas, the color correction by Mark Quod and his crew is rich and gorgeous, and the disc work by David Courtice is really cool.
One should also always remember behind the scenes folks like Judith, Kala, Courtney and Kendall who handle all the heavy lifting of getting the film distributed, seen and sold. There are so many more good folks at The Asylum giving them all their deserved kudos could fill THREE of these interviews!
So, it all comes down to storytelling and characters or situations you enjoy spending time with... and co-workers you enjoy spending even MORE time with.
C: How do you select the projects you direct? What draws you to a project?
JL: I select being involved with any project based on two sets of things... is the story cool/fun/exciting/emotionally compelling and does at least one part genuinely make me cry (and not out of pain) or laugh. If that happens... and my wife Kelly has been there when I cried as a result of character situations for both Nazis, Age and the next one... then I feel like maybe something can be drawn out that will similarly touch the audience. Ultimately, whether a film has an Asylum budget or a two hundred million budget, if you care about the characters then people will be entertained.
What draws me to it in the first place is the ability to create good, strong visuals and weave a story no matter what the limitations. That and for Age, Latt handed me a piece of notepaper with this list: 1. You 2. Direct 3. AotH 4. Cambodia. Both Rimawi and Bales also seemed pretty excited by the prospect. Who can resist that?
C: Who are some of your favorite/most inspirational directors?
JL: David Lean. Steven Spielberg. Peter Jackson. James Cameron. Robert Wise. J.J. Abrams. John Landis. John Carpenter. Robert Rodriguez. Peter Weir. Ridley Scott. I could honestly go on and on but those would be the folks whose films have most affected my vision and approach over the years. Ultimately, every director has had an effect whether it's in the inspirational vein or the Mystery Science Theatre school of how NOT to make movies. I just hope when my turn comes at the bigger bat, I'm qualified to hold even a tiny little candle to their amazing creations.
C: You shot AotH on location in Cambodia; what sort of challenges did you face shooting in a foreign country with a presumably small crew?
JL: Snakes. Land mines. Goats. Dangerous pot-hole filled travel. Rugged hikes. Monsoons. Sketchy food. A very long plane flight. Lots of shots. Wait, why DID we do this? Simple: at age 49 David Lean shot Bridge on the River Kwai just north in Burma... so while it's a huge bar to aim for in 15 days, it's also the fulfillment of a personal lifelong dream... to shoot with epic scope in a far off land not seen by many western cameras for a feature style film. Cambodia is one of those last best places so we have a GREAT and enthusiastic crew with a mix of Asylum vets and new eyes. We've gotten some fun stuff to see and the hope is that the end result of a cool action movie makes all the challenges worth it.
C: Anything you can tell us about the release?
JL: It's a feature packed disc, this DVD/Blu Ray. There's a gag reel, a really sweet making of by Cody Peck, the really-sells-it-but-doesn't-tell-it kick-butt cool trailer by Brian Brinkman, four deleted scenes and a commentary where I get to sit in with editor Rob Pallitina and the wonderful Christopher Judge (who played Amthar) to have a lot of fun... with a surprise appearance by Richard Vialet, our DP. It'll also be on VOD and at Redbox (under a different title, I believe) all on December 11th.
C: Any Joe Lawson dream projects or people you're dying to collaborate with?
JL: I have a ton of personal story ideas and projects I'd love to do, as any writer/director does, and world building of places we HAVEN'T already gone would be a great opportunity and challenge. Playing in other folks realms, though, I'd be thrilled to get to direct a Game of Thrones episode (or five or ten), or to be part of a Star Wars live action series... and I'd actually love to have the chance to revisit a very familiar place with a different take on NATCOTE... but beyond that, someday I look forward to having the chance to pitch, write and direct the ideas and stories that I've gathered over the years.
As far as collaborating, well... it can be the most fun part of the job and there are so many talented and creative folks in so many disciplines here at the Asylum and elsewhere. To work with any of the living folks on my director list would be a dream of a lifetime.
Heck, if Peter Jackson saw fit to take some time to watch this latest little film, THAT would be truly amazing... and he could return the favor of putting an arrow through MY chest in some future film. Consider him humbly and respectfully invited to do so.
More importantly, though, in the spirit of encouraging folks to take a chance on their own dreams: get out there and get that ball rolling because the filmmakers I most look forward to collaborating with someday are, Mr., Miss and Mrs. Reader: YOU!
Lawson's next feature is Age of the Dinosaurs: "Age of Dinosaurs, which is now in post, stars Treat Williams (Prince of the City, Deep Rising, 1941, Hair and TVs Everwood), Ronny Cox (Robocop, Total Recall, Deliverance) and Jillian Rose Reed (Awkward, Weeds) and was written by northwesterner Hank Woon. Set to release in May, 2013, it's the simple tale of a father and daughter rediscovering their love for each other in a city filled with rampaging dinosaurs. For his third film in one year Joe reteams with cinematographer Richard Vialet (AotH), editor Rob Pallatina (NATCOTE and AotH) and composer Chris Ridenhour for this action adventure through the streets of Los Angeles. We like to think of it as Jurassic Park 3.5."
Age of the Hobbits, as Mr. Lawson said, is out on DVD, Blu-Ray and VOD December 11th. Get your hands on a copy for what promises to be a truly epic adventure.
12/12/12 Out Today
We're in the middle of an Asylum release streak, and today's the day Jared Cohn's supernatural thriller 12/12/12 hits the streets on DVD, Blu-Ray, and VOD. Scroll down only a few inches and you'll stumble across my notes on the film, which I found highly entertaining and scarily enjoyable. So get thee to a video dispensary and procure with your greedy little hands a copy of this end-of-the-world fright-fest; if you don't, The Asylum's gonna send that little guy below after you, and trust me, that's a BAD thing. Go, go!
observation notes: 12/12/12
The film - not a sequel to last year's supernatural thriller 11/11/11 - concerns a not-so-innocent baby boy, Sebastian, who after his birth on the twelfth day of the twelfth month of the twelfth year of the twenty-first century, begins affecting those around him in a pretty lethal way. Soon enough, mom Veronica (Lane) comes to the only conclusion she can: lil Sebastian is a bona fide hellspawn, and the shit hasn't even begun to hit the fan.
In the interest of keeping this spoiler-free - the point's to get you to see it, after all - I'll spare you the various twists and turns of this fast-paced, thrill-a-minute fright-fest, but to say that this one holds nothing back, starting from frame one: there's gore, nudity, enough swearing to make a sailor blush, and rampant violence to keep you watching through your fingers.
Ms. Lane was my favorite part of Sharktopus - which overall I thought was weighed down by too much scientific mumbo jumbo - and the love affair continues. Girl's got mad scream-queen potential, as her work here affirms. It was my first time seeing Mr. Donelson as husband Carlos, and he brought the requisite macho concern as a father WAY out of his league.
Cohn has once again delivered a taut, twisting, barrage of thrills sure to hack at Asylum fans' horror bones. His direction adds darkness to an already pitch-black story, and his intimacy with the acts of violence throughout submerge viewers into the Hell he is unleashing on-screen. The film has a very urban-gothic feel, a sinister, ironic claustrophobia that really elevates the tension and suspense.
A little bit Omen, a little bit Rosemary's Baby, a tad of The Beast Within, and a whole lot of nail-biting originality makes 12/12/12 a post-Halloween horror treat genre fans should enjoy. It's out this Tuesday, December 4th, on DVD, Blu-Ray, and VOD.
New Asylum Titles Announced!
Up on The Asylum page today there's a new title in the "Coming Soon" section, Jack the Giant Killer. Dig the synopsis:
"A giant beanstalk brings Jack to a land in the clouds filled with snarling, evil beasts. When the creatures make their way to the ground, Jack must figure out how to get back down before they destroy earth and everyone in it."
Well that just sounds fucking spectacular. It gets even better when you realize that the film is written and directed by one of The Asylum's most prolific talents, Mark Atkins. This will mark Atkins' (pun definitely intended) 11th turn as director for the studio - 11th - behind such classics as Halloween Night, Haunting of Winchester House, Princess of Mars, Battle of Los Angeles, Dragon Crusaders and Alien Origin. This guy is, as the kids say, the bee's knees.
The film is set to star Jane March, who earlier this year played the Wicked Queen in Grimm's Snow White, and Ben Cross, best known for playing Barnabus Collins in the 90's "Dark Shadows" relaunch, and Spock's dad in J.J. Abrams' Star Trek movie.
The film drops March 12, 2013, 10 days after Bryan Singer's Jack the Giant SLAYER hits theaters. And in case you're thinking "lawsuit," nope, there was another film called Jack the Giant Killer made back in 1962, and there are similarly-themed fairy tales in Cornish, Welsh, and Norse cultures, among others. Boo-ya!
But wait, there's more - 500 MPH Storm: "When an energy experiment goes haywire, a rash of massive hurricanes rips across North America. A high school science teacher must get his family to safety before the hurricanes merge, creating a "hypercane" with the power to wipe the US off the map."
This one's from director Daniel Lusko and writer Hank Woon Jr., and stars...wait for it...CASPER VAN DIEN! That's right, Johnny Rico himself has FINALLY graced an Asylum flick! Also starring is Michael Beach, best known for "Third Watch." The film streets February 26th.
Also announced, a DVD date for Abducted (aka Layover), the studio's latest Lifetime Movie: January 8th. The film stars Lauren Holly (Dumb and Dumber, Picket Fences), Kaylee DeFer (Gossip Girl) and Joe Lando (Dr. Quinn Medicine Woman, Meteor Apocalypse); it was written by the always-excellent Naomi Selfman (Mega Python vs Gatoroid, Grimm's Snow White) and directed by R.D. Braunstein.
Whew! Happy Early New Year, Asylum-style.
"A giant beanstalk brings Jack to a land in the clouds filled with snarling, evil beasts. When the creatures make their way to the ground, Jack must figure out how to get back down before they destroy earth and everyone in it."
Well that just sounds fucking spectacular. It gets even better when you realize that the film is written and directed by one of The Asylum's most prolific talents, Mark Atkins. This will mark Atkins' (pun definitely intended) 11th turn as director for the studio - 11th - behind such classics as Halloween Night, Haunting of Winchester House, Princess of Mars, Battle of Los Angeles, Dragon Crusaders and Alien Origin. This guy is, as the kids say, the bee's knees.
The film is set to star Jane March, who earlier this year played the Wicked Queen in Grimm's Snow White, and Ben Cross, best known for playing Barnabus Collins in the 90's "Dark Shadows" relaunch, and Spock's dad in J.J. Abrams' Star Trek movie.
The film drops March 12, 2013, 10 days after Bryan Singer's Jack the Giant SLAYER hits theaters. And in case you're thinking "lawsuit," nope, there was another film called Jack the Giant Killer made back in 1962, and there are similarly-themed fairy tales in Cornish, Welsh, and Norse cultures, among others. Boo-ya!
But wait, there's more - 500 MPH Storm: "When an energy experiment goes haywire, a rash of massive hurricanes rips across North America. A high school science teacher must get his family to safety before the hurricanes merge, creating a "hypercane" with the power to wipe the US off the map."
This one's from director Daniel Lusko and writer Hank Woon Jr., and stars...wait for it...CASPER VAN DIEN! That's right, Johnny Rico himself has FINALLY graced an Asylum flick! Also starring is Michael Beach, best known for "Third Watch." The film streets February 26th.
Also announced, a DVD date for Abducted (aka Layover), the studio's latest Lifetime Movie: January 8th. The film stars Lauren Holly (Dumb and Dumber, Picket Fences), Kaylee DeFer (Gossip Girl) and Joe Lando (Dr. Quinn Medicine Woman, Meteor Apocalypse); it was written by the always-excellent Naomi Selfman (Mega Python vs Gatoroid, Grimm's Snow White) and directed by R.D. Braunstein.
Whew! Happy Early New Year, Asylum-style.
40 Days and Nights out today!
Even though we're on the cusp of December, there are still three Asylum releases slated for 2012, which means that beginning today, we get three straight weeks of brand spankin' new movies from our favorite independent studio.
The streak starts today with global-flood pic 40 Days and Nights, starring Monica Keena and Alex Carter, written by H. Perry Horton (that's me) and directed by Peter Geiger.
The next week we get 12/12/12, an apocalyptic horror/thriller from writer/directer Jared Cohn, the mastermind behind Born Bad and Bikini Spring Break, and also the director of The Asylum's first theatrical release, #HoldYourBreath.
And then the Tuesday after that, December 11th, there's the highly-anticipated Age of The Hobbits, from director Joseph Lawson (Nazis at the Center of the Earth) and writer Eric Forsberg (Mega Piranha, Almighty Thor), and starring Christopher Judge and Bai Ling.
So, as you can see, there's still a lot of awesome stuff to come this year from The Asylum. Start things off right with 40 Days and Nights, available now on DVD, Blu-Ray and VOD.
So, as you can see, there's still a lot of awesome stuff to come this year from The Asylum. Start things off right with 40 Days and Nights, available now on DVD, Blu-Ray and VOD.
T-Minus One Week Until 40 DAYS AND NIGHTS
The film, directed by Peter Geiger and written by yours truly, H. Perry Horton, concerns an extinction level event and the steps humanity has to take in order to survive a seemingly unsurvivable scenario. The official synopsis: "When a colossal tectonic shift causes the sea level to start rising, a microbiologist gathers the DNA of as many species as she can, while the military creates an 'ark' in a desperate attempt to preserve life on Earth."
Pretty heavy stuff, trust me.
The film stars Monica Keena (Freddy vs Jason, Night of the Demons, Crime & Punishment in Suburbia) as "Tessa," the microbiologist in question, and Alex Carter (CSI) as "Lt. John Travis," the ark-itect (I had to). Other actors in significant roles include Christianna Carmine as Navy SEAL "Lynn," Emily Sandifer as ace engineer "Maddie," and Scott Hoxby as project director "Admiral Harrison Wallace."
Check out the trailer below, and then next Tuesday, November 27th, check out the film itself on DVD, Blu-Ray, and VOD. Once you've seen it, come on back here and let me know what you thought of it in the comments section. Constructive criticism is occasionally appreciated.
Time Again for the Asylum's Toys For Tots Toy Drive!
If it's the holiday season, that means it's time to roll up our sleeves, give thanks for what we have, and reach out to those who have less, starting with the most important people out there, the children.
Each year The Asylum holds a massive toy drive in support of the U.S. Marine Corps' Toys For Tots program, and this time, the studio's looking to rake in the biggest haul ever, with our help, of course. Here's the info straight from the man himself, producer David Michael Latt:
"Hello!
Each year The Asylum holds a massive toy drive in support of the U.S. Marine Corps' Toys For Tots program, and this time, the studio's looking to rake in the biggest haul ever, with our help, of course. Here's the info straight from the man himself, producer David Michael Latt:
"Hello!
The holidays are right around the corner -- and you know what that means --
Our Annual Toys For Tots Toy Drive!!!!
What
is T4T?: A charity founded by the US Marines that gives toys to less
fortunate kids under 12 during the holidays. And this year that's going
to include victims of Hurricane Sandy.
...and all we need is 1 (or more) Unwrapped New Toy. So easy -- and tax deducible!
Mail it, or drop it off by December 5. (And if you drop it off, I'd love to say Thank You in person!)
And
even though I know you don't need the incentive...the person(s) who
brings in the most toys will get their choice of an Asylum DVD and a 15
Year Anniversary Shirt (while supplies last).
Here's what you need to do:
-Find a toy.
-Don't wrap it!
-Mail it, or drop it off to:
Santa Elf
c/o The Asylum
72 East Palm Ave.
Burbank, CA. 91502
All toys must be received at the office by December 5, 2012.
Good Toys:
-Books
-Anything that doesn't require batteries
-Nothing wrapped
-Lots of little toys are better than 1 big toy
Bad Toys:
-Missiles
-Lint balls
-Romney/Ryan for 2012 Signs"
Last year saw an amazing amount of contributions, which means that the pressure's on this year to provide even more kids with an even merrier Christmas. The way I figure it, since The Asylum keeps putting out bigger and better films each year, we can match their output with a greater showing of support.
So like the man says, let's round up some toys, get them to The Asylum by December 5th, and spread the word on all our social media outlets, tell passers-by on the street, post flyer, skywrite - whatever it takes to get the word out.
No Words Necessary...Coming December 2013...
Prepare yourselves. Written by Thunder Levin (200MPH, American Warships).
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