Search This Blog

creature feature: The Witch-Ghosts Who Haunt Salem

Nicholas Harsin and Shoshanna Chagall
A lot of the time, I'm winging these Creature Features; most of it is just speculation and hyperbole. But this time, for this feature, I know exactly what I'm talking about, because I came up with the creatures in question. That's right, I'm talking about the ghoulish and grotesque witch-ghosts haunting the Corwin House and the Downs family in The Asylum's most-recent horror flick, A Haunting in Salem, directed by Shane Van Dyke from a script I penned.

See, for me it's all about the double threat: you take witches - already bad enough - but then you kill 'em, give 'em a few hundred years to get nice and vengeful, and what you end up with are ghost-witches, which are, like, 100 times worse. They can do ghost stuff like walking through walls, disappearing, making scary-ass whispers, and they can also do witchy demon stuff like rot your teeth or make you puke or steal your bat or possess your family, turn your bathwater to blood, all sorts of extra shit.

Point of truth: the poor unfortunates killed in the Salem Witch Trials weren't actually witches. Okay, that's fair, but think about this: maybe they weren't witches when they were alive, but maybe after they died, real witches took pity on them and came up with a spell or a broth or something like that to turn their ghosts into witches. Or Satan, what about Satan? He can do that stuff. Either way, witch-ghosts or ghost-witches, it's all the same in the end.

Regardless of how they came to be, there's no question as to what they want: to enact revenge on all the subsequent sheriffs of Salem for the torture and murders they suffered at the hands of Corwin. And they want you to feel what they felt, quite literally: harassment, condemnation, boiling water and blades as torture implements, and eventually foul death, by hanging if the situation allows, but they got no qualms about throwing your ass out an upper-story window or shivving you with a piece of glass or some garden shears, if they're handy. They're witch-ghosts (or ghost-witches), they truly don't give a fuck: revenge is revenge.

So then what are one's possible recourses against a platoon of undead bitches (not a typo)? Maybe I didn't make myself as clear as I could have on this issue in the film, because a few bloggers and reviewers seemed confused by certain actions. In the Salem Witch Trials, each of the unfortunates sentenced to death were executed by hanging. This is not a traditional witch-killing method. You got yourself a witch problem*, the only thing you can do is burn 'em out. That's what Corwin got wrong (if they had been witches, hanging woulda just pissed them off) and that's what the Sheriff in the film's opening sequence was intending to do, knowing, as Wayne did when he got the gas can, that things in the house had escalated past a point of return. Both men were taking a more traditional route to the situation, and both were willing to sacrifice themselves as, with their families gone, they had no further reason to live. The witches were the house, so the house had to go to get rid of them; sometimes you gotta cut off the hand to save the arm.

And there you have it, whether you wanted it or not, an insider's look at the creatures central to A Haunting in Salem, those doing the titular haunting. I think, armed with this knowledge as you now are, you should go right now and watch the film again, see if our discussion adds any layers to your enjoyment. Tell a friend, while you're at it, or all of them.



*I am, of course, talking ONLY about fictional witches, not any person or persons who might actually practice witchcraft, and certainly not the Wiccan religion as a whole. Don't be silly. My witches are creatures, not people; I don't advocate killing sharks, either, if that had to be said. 

outside the walls: November DVD Releases

I recognize that not all great films are made exclusively by The Asylum and that, in fact, there's a whole world of film outside these walls, some of which might actually interest Asylum fans - when they're not watching or re-watching Asylum films, of course. And, being as I'm only looking out for your viewing well-being, here's a peek at some other DVD releases this month which might satiate you between Asylum releases. But remember, as always, Sweet n' Low ain't sugar.

November 1st










11/11/11

written by Kiff Scholl & Keith Allan
directed by Keith Allan
















November 8th








Bedlam: Season One

















Born Bad

written & directed by Jared Cohn
starring Michael Welch, Bonnie Dennison, Meredith Monroe & David Chokachi


















Mortal Kombat: Legacy
















November 15th




Warriors of Virtue: The Return to Tao
















November 22nd




Carjacked

















Conan the Barbarian

















Helldriver

















Night Crawlers
















November 29th




Chillerama

















Tucker & Dale vs. Evil 

New Asylum Posters Galore!!!

The American Film Market annual conference is going down in Santa Monica this weekend, and this hallmark event has produced posters for several upcoming Asylum flicks. Dig: 




All come courtesy of Wired's website, and all are fucking rad. 2012's gonna be the best Asylum year yet!

Born Bad on DVD Today!

Another Tuesday, another Asylum DVD release; fella could get used to this. This time around, it's Born Bad, a terrifying and scintillating thriller from writer director Jared Cohn and actors Michael Welch, Bonnie Dennison, Meredith Monroe, David Chokachi and more. Resplendent with action, intrigue, passion and horrors all-to-real, Born Bad is a perfect early winter film: creepy, suspenseful and chilling.

Besides being an intense and excellent flick, you're gonna want to cherish Born Bad for another reason: we have to wait a WHOLE MONTH for another Asylum release: found-footage frightener The Amityville Haunting comes out December 13th, and the DVD release of Zombie Apocalypse is a fortnight later on the 27th.  

Wanna rent Born Bad from Netflix? Go here.

New Asylum Title Announced!

Though nothing's been mentioned over at The Asylum site as of yet, word came via Fangoria on Friday that everyone's favorite studio has a film in the works entitled Battleships - an obvious tie-in to next year's board-game adaptation Battleship from director Peter Berg - and it's going to be written and directed by Thunder Levin, the screenwriter of this year's 200MPH



It was Levin himself who spoke to Fangoria, and, as it's their story, rather than rehash the article I'm just gonna send you right to it: Thunder Levin talks to Fangoria

200MPH had some pretty rad action sequences, so knowing that the mind of Mr. Levin is hard at work here hints at explosive promise. No release date or anything like that at this point, but, as usual, as soon that info's made known, it'll be posted here.

RE-POST: observation notes: Born Bad

Though Born Bad made it's premiere back in March on the Lifetime Channel, it hasn't been available on DVD until this coming Tuesday, when a special UNCUT version of the film hits DVD. Until then, let's take another look at my original thoughts on the film, posted back in March.

Now, if you've read my notes before, you know I don't like to give away any spoilers; I'm not a journalist, I'm a fan, my point isn't to critique the film, it's to extol its virtues and make you want to see it even more than no doubt you already do. Therefore, I stay away from spoilers. This will be especially true in the case of Born Bad, as you're gonna have to wait a few months to get your hands on it. So the below impressions are general, and give nothing away whatsoever other than the basic plot. 

Let's get that plot out of the way: when a family moves to a new town, their sweet teenage daughter (Bonnie Dennison), falls for the WRONG guy (Twilight and All The Boys Love Mandy Lane''s Michael Welch), a psychopathic drifter with homicidal proclivities, resulting in a nightmare for her parents ("Baywatch"s David Chokachi and "Dawson's Creek"s Meredith Monroe). Ah, dating.

What we have here is a good, old-fashioned thriller - no monsters or creatures or anything paranormal at all, just a fascinating and frightening look at the depths of depravity to which can sink the most terrifying beast known to man: man. Jared Cohn's script paints a terrifying portrait of a family already at a crossroads in crisis. It's an all-too believable scenario which could conceivably befall any American family, allowing the horror it generates to resonate that much deeper.

But a script is only as good as the actors who bring it to life, so in this case, it's damn good. Michael Welch as "Denny" is fierce, and not in a co-opted Project Runway sense, but in the Webster's dictionary sense: "a) violently hostile or aggressive in temperament; b) given to fighting or killing." I mentioned in my profile of Mr. Welch that in the fine, fine film All The Boys Love Mandy Lane in which he played a similar type of character, that his brutally frightening potential hadn't yet been fully-tapped - it has been now. Welch electrifies every second he's on screen, deftly balancing the suave seductor and focused sociopath every good serial killer needs be. Dude rocked it, for real.



Bonnie Dennison ("Guiding Light") as doe-eyed daughter "Bonnie" manages a fine balancing act of her own, convincingly naive while never helpless. I'll admit to not being familiar with Ms. Dennison before this, but I thought she was right for the role of a good-girl just bad enough to get in major trouble; when her name turns up on DVD boxes in the future - as it's sure to do - I'll definitely check them out.

Meredith Monroe and David Chokachi as the parents at the center of this whirlwind also excelled, and in roles I for one wasn't used to seeing them play: Chokachi as the concerned parent almost helpless in the face of primal terror, and Monroe as an unsuspectingly powerful matriarch. So for me, at least, both really showed their range, and I liked what I saw. Aces.

Other cast standouts include Donnabella Mortel as "Dana," Gerald Webb (Battle of Los Angeles, 2012 Ice Age) as "Nate" and Bill Oberst Jr. (Princess and the Pony, upcoming A Haunting in Salem[!!!]) as "Gary." Sure, I could tell you more about the characters they play, but that might stray into the territory of spoilers. Or it might not. Either way, I'll say no more.

Overall, then, what you have here is a chilling psychological thriller that rings all too true and hits way too close to home, just as all great films of this sort should do. Cohn, who also directed, has crafted a film of frightening intimacy, one that draws you into both sides of this maniacal struggle and and squeezes your heart from the first frame to the last, thanks especially to the barrage of fine performances anchored by that of Michael Welch. He's up there with Mega Shark in my pantheon of greatest Asylum villains. 

Check it our for yourself this Tuesday when the UNCUT version of Born Bad erupts into being.

RE-POST: COMMITTED EXCLUSIVE: An Interview w/ Born Bad Writer/Director Jared Cohn!!!

With only a few days until The Asylum's next DVD release, the vicious thriller Born Bad, I wanted to re-post an interview I did with the film's writer/director, Jared Cohn. In addition to his work here, Cohn has also appeared as an actor in a few other Asylum productions, including Halloween Night, Legion of the Dead, Way of the Vampire and Alien Abduction. As you get amped up for the DVD release, enjoy the interview below, then come back tomorrow for the re-post of my observation notes on the film.

 
COMMITTED: How old were you when you decided you wanted to work in film? What spawned this decision?

JARED COHN: I was 18 when I was first introduced to the possibility of working in film when I moved into an apartment in college (Northeastern in Boston) and my roommate was an actor. We would mess around with video cameras and do some improvs and skits - just having fun. He wound up moving to LA and I visited him and got bit by the bug. Soon, I started writing scripts and reading about the industry and taking acting classes and auditioning. Next thing I knew, I was driving across country from NY to LA to pursue a career in film.

C: How did you come to get involved with The Asylum?

JC: I auditioned for Way of the Vampire and booked the part of Roman!  I was very excited and was lucky enough to continue to act in several more of their movies, all of which I am grateful and proud to have been a part of. 

C: In 2009, you started writing and directing. Was this always the plan, or was it something that evolved once you got into the industry?

JC: I actually started writing my first script before my first audition as an actor. I enjoy writing and there is only so much one can do to pursue a film acting career before going crazy, so in my spare time I would write. I would go on writing binges and work for days on end, sometimes 16-20 hours straight until my eyes would go blurry. The directing came next. I wanted to challenge myself in the hopes that it would make me a better actor and writer, and I feel to some degree I have grown from seeing things from the other side of the camera.  

C: What films have served as inspirations to you, as an actor as well as a writer/director?

JC: I love Val Kilmer’s performance in Tombstone. So good! Ed Burns inspires me as an actor, writer and director because he does it all and does it with style, and because he is also from Long Island.

C: Is there anyone you’ve worked with you looked to as inspiration when you started writing or directing?

JC: My friend Michael Nelson, who is a great writer, inspired me to really start writing the right way. We would work for hours and hours and bounce ideas around and discuss Aristotle’s poetics for the screenwriter and Syd Field's rules of writing. Also, Ed Erdelac, a great writer and director who directed me in Meaner Than Hell, a western that I starred in, he inspires me to write better and continue to write  Lastly, my writer/director friend Eddie Reyes keeps me motivated to keep acting.

C: How did the idea for Born Bad come about?
JC: I wrote a script for a location my father has. I was planning on trying to make the movie myself, but lacked the means, so I sent it out to David Rimawi at The Asylum and then he called me and told me he liked it, which was an amazing phone call to get!  Then, we wound up not using my father’s house to shoot, though, since that place is in NY. We shot it in SoCal. Which I was happy about, because the location and weather were beautiful. So, it all worked out!

C: How was it working on the other side of the camera for The Asylum?

JC: Great! Everyone there is passionate about film and everyone there is quality folk. I was excited in 2004 when I got to play in Way of the Vampire, and I was excited this year when I was able to direct Born Bad. The Asylum kicks serious ass. David Latt, David Rimawi and Paul Bales know what they are doing, so my cast was awesome and my crew was great. The whole experience was pure awesomeness .

C:  You’re also the CEO of Trap Light Media. Tell us a little about your company.
  
JC: Traplight Media is my company that I run. I shoot, edit and do after effects and some design work. I do music videos, commercials, TV shows, promos, trailers, whatever… I graduated film school (New York Institute of Technology) with a focus on production and post-production. I am also proud to be a director and shooter/editor for a very cool, growing TV show – "Live It Up" with Donna Drake. So, when I am not writing, acting, or directing, I am in front of my computer editing video or on location somewhere. Also, my acting site is www.Jaredmonline.com (if anyone is interested…) 

C: Besides Born Bad, of course, which of the other four Asylum productions you’ve been in (Alien Abduction, Legion of the Dead, Way of the Vampire, Halloween Night) was your favorite?
JC: Halloween Night, because my role was fun to play and the location was awesome, and we got to stay there for the shoot. The experience was fun and the movie came out cool! Also, the director/DP Mark Atkins is a very talented man and cool to work with.

C: Any Jared Cohn dream projects?
JC: I’ve got a action/thriller script I am pushing right now, can’t say too much, but I’m hoping it gets going sooner than later… Also, I would love to act a lot more. My original goal was to just make it as an actor and that is still very much my dream.

C: What’s next for you?
JC: Other than my action/thriller script, I’m working with The Asylum now in the early stages of another Lifetime type project that I am writing that I am hoping will get made. It’s currently in development but the concept is way cool. Also, hopefully Born Bad will be a big success and with a bit of luck that can open some additional doors for me which would be fantastic. Also, I’ve got Underground Lizard People, which I wrote and directed which is going to be released shortly. www.UndergroundLizardpeople.com. The movie Revenants was just released on VOD, a cool revenge/zombie flick in which I play the lead. I am also working as the director of photography on a post apocalyptic movie shooting in CT now, which I am also acting in. I’ve got all sorts of things going on, but am always striving for more. No rest for the weary!
No rest indeed. Tune in tonight,Tuesday, November 8th, when the see the fruits of Mr. Cohn's many efforts, Born Bad, hits DVD.

Born Bad Coming to DVD 11/8/2011 - Next Week!!!

Though it had it's world premiere on the Lifetime network back in March - a first for The Asylum - Jared Cohn's taut, edgy thriller Born Bad hasn't hit DVD as of yet, meaning - I'm willing to bet - that most if not all of you have yet to see it. I saw it on Lifetime. I've been hooked on the network ever since. They got some real crazy shit going on there. Have you seen "Dance Moms?" I digress.

The wait is over, is my point, because a mere 6 days from now, Born Bad will be released to the world on DVD!

Furthermore, this will be the "Uncut" version, a.k.a. the scarier, steamier, bloodier version of this brutally charming film. 

In celebration of this, I'll be re-posting some things I put out during Born Bad's premiere, including my exclusive interview with the film's writer/director Jared Cohn tomorrow, and Friday my spoiler-free notes on the film.

A tale of young love gone violently wrong, Born Bad stars Bonnie Dennison ("Guiding Light") as a beautiful teen in a lonely new town, Michael Welch (Twilight, All the Boys Love Mandy Lane) as the predatory lothario who steals her heart, and David Chokachi ("Baywatch," 3 Musketeers) and Meredith Monroe ("Dawson's Creek") as the rightfully-concerned dad and step-mom.

For more details, check out the trailer, the IMDB page and the Asylum page. And of course, keep coming back here the rest of the week for extended Born Bad coverage.

First Stills From Air Collision

This busy week keeps getting busier - a couple DVD releases, World TV Premieres - and now we have the first stills from The Asylum's next disaster flick, Air Collision from writer/director Liz Adams.


The film tells of a solar storm that knocks out our air traffic control systems, leading two planes on an inevitable collision course. The catch? One of those planes is Air Force One. Eep.


The film stars the incredibly awesome Reginald VelJohnson (above)(Die Hard, "Family Matters"), the beautiful Jordan Ladd, newcomer Aurora Perrineau and the always spectacular Gerald Webb, and hits DVD March 27th of next year.

I for one think these look pretty rad - but of course I do - and think things are starting to add up to a pretty fantastic feature debut for Ms. Adams. Check out the pics and decide for yourself!

11/11/11 on DVD Today!!!

Whew, seems like every time I turn around there's another Asylum movie out. It's still shy of a month since A Haunting in Salem was released on DVD, and since then we've seen the DVD release of 3 Musketeers and the TV premiere of Zombie Apocalypse. Plus, Born Bad hits DVD a week from today, and the mysterious found-footage film Amityville Haunting comes out in December. 

But all this is a side-note to what's happening today: the DVD release of apocalyptic thriller 11/11/11

I posted my thoughts on this one last Friday, and strongly encourage anyone who enjoys creepy kids, cultish behavior, twisted suburbia, decapitations or Satan to rush right out to wherever you procure movies these days and gets your hands on this fine film.

For fans of The Omen, The Exorcist, The Stepford Wives, Rosemary's Baby, The Seventh Sign or the "Twilight Zone" episode, "It's a Good Life."

inmate profile: Keith Allan

Another week, another Asylum release; keeping up with this stuff is turning in a full-time job. With 3 Musketeers only a week on DVD and Zombie Apocalypse less than 48 hours in the past, this Tuesday sees the release of the studio's apocalyptic thriller 11/11/11, which I've already seen and posted my notes on (scroll down a teeny bit), and while I don't have time to go into everyone that worked on this fine film, I thought a profile of writer/director/actor Keith Allan was in order, so here you go:

While there isn't a ton of biographical info on Mr. Allan on IMDB - actually none - his resume speaks for itself. Allan started his Hollywood career acting, landing his first role in 2000's excellent Meat Loaf biopic, To Hell and Back, in which he played Tim Curry. As in Tim Curry. From there Mr. Allan had roles in various notable TV series like "Will & Grace," "Charmed," "Buffy the Vampire Slayer," "CSI," "Star Trek: Enterprise" and "Scrubs," among many others. 

In addition to his work in front of the camera, Mr. Allan has a pretty extensive resume on the other side of filmmaking as well, most notably in visual effects, where he provided(?) opticals on such films as Amityville: Dollhouse, Prozac Nation, The Prophecy and Full Tilt Boogie. 11/11/11 marks his debut as both a feature writer and director. His only other stint as either came with the 2008 short Billy and Sally Go Bionic. But as I've mentioned, the dude has chops.

The film lands on DVD tomorrow, so set your alarm accordingly.

observation notes: Zombie Apocalypse

Tonight was big for Asylum fans, as the studio's biggest film of the year - Zombie Apocalypse starring Ving Rhames, Taryn Manning, Eddie Steeples, Lesley-Ann Brandt, Johnny Pacar, Gerald Webb, Gary Weeks, Anya Monzikova, Lilan Bowden, Robert Blanche and scores more - got a World Premiere on the SyFy network. Now, as the film won't be on DVD until December 27th, and so far there's only one replay on the books, November 15th at 7pm, I won't give away any spoilers here, only my own personal and heavily-biased opinions. 

Let's start with the plot, shall we? I know that these days the kids like their concept's high but I've always been a believer in simple storylines and complex character interactions; sometimes an apocalypse is just an apocalypse. And that's what we have here, a full-blown, end-of-the-world scenario, rife with brain-gobbling, rotten and smelly zombies. We come into this world six months after the plague hit; the planet's human population has been reduced by 90% and those that are left are fodder for the hungry undead. But among the chaos there is one band of survivors still fighting, cutting a bloody swath across America on their way towards a rumored sanctuary on Catalina Island. 


This concept comes courtesy of writers Craig Engler and Brooks Peck, and is the debut script for both. You'd never know it, though, for the expert pacing and suspense-building storytelling going on. The action starts right at the beginning and skulks through the film like a "straggler," a constant potential threat to our ragtag band of survivors, portrayed by an ensemble cast firing on all cylinders.


Ving Rhames as "Henry" is, as expected, an all-around badass, in that strong, silent, stoic way he practically invented. Simultaneously, though, he imbues the film with heart using that fuzzy teddy-bear charm he can turn on at will. He's just the ultimate warrior/protector, and when you put a sledgehammer in his hands, it's fucking on.


Taryn Manning as "Ramona," however, I think serves as the film's true heart. Easily the character one can most relate to, she's more muted here than usual, in a good way, in a way that causes you to see the effect of this insane situation on the frail human spirit. She's strong but she's frazzled, hopeful but haggard, hanging on but only by a thread, the way anyone would be.


The real standout for me was Lesley-Ann Brandt as "Cassie," the sleek, swift, graceful but no-less-deadly yin to Ving's yang, his brazen lieutenant with the same heightened sense of caution but laced with a healthy dose of attitude and alluring femininity. She's an alpha female, that over-achiever you could never hate no matter how much you wanted, and now she's got a sword. Ms. Brandt commanded the screen, and conquered her role like a pack of flesh-eaters.


I could go on and on about every single member of the cast; for me, there were no misses: rounding out the rest of the main pack we had Eddie Steeples as "Billy," the Everyman counterpart to "Ramona," Gary Weeks as "Mack," the affable and confident quarterback of the gang, Johnny Pacar as "Julian," the playful wildcard of the bunch, the smirking idealist to "Mack's" noble pragmatist, and the always great Gerald Webb as headstrong and protective "Kevin." Not to mention Anya Monzikova, Robert Blanche and Lilian Bowden as "The Archers," another tough-as-nails survivor clique that adds stunning beauty and stealthy brawn to the fight.


Overall then, what you have here is a smart, fresh, innovative and thrilling entry into a tired genre. As much as people say there's nothing new in zombie movies, Zombie Apocalypse manages to do just that, thanks to a thoughtful and epic script from Engler and Peck. If this is what they can accomplish right out of the gate, I can't wait to see their 2nd, 3rd, and 25th efforts. The visual effects from Joe Lawson and his Awesome Team (feel free to put that on the back of satin jackets, guys) pull not a single gory punch. Kudos too to the make-up department for making not only believable zombies, but believable dead zombies. That's usually the first thing to derail movies like this, crappy effects. Zombie Apocalypse doesn't come close to having that problem. I bet Halloween with these dudes is rad.


Chris Ridenhour provided the score, and once again it's out-of-the-park. I want to hire him to score my life, the way people hire personal chefs; with his accompaniment, everything is more exciting and important, I'd never do the dishes the same way again.


And bringing it all together is director Nick Lyon, who here has crafted a visually-stunning and violently-beautiful film. The fight scenes are manic yet graceful, the kills are spectacularly bloody, the image of a ruined world is fully-realized and realistic, the story moves naturally and myriad other aspects that add up to an intense, intimate and atmospheric film full of thrills, kills, chills, hills, blood, guts and gore. Easily the best non-theatrical zombie film I've seen in a while, heck, maybe ever. And I say that not as an Asylum-fanatic, which I am, but as a zombie film freak. Helluva good time, this one.


Try to catch the re-run on November 15th at 7pm, because after that it's six weeks or so until the DVD release.

observation notes: 11/11/11

With a lot of Asylum-attention this week focused on Saturday night's SyFy premiere of Zombie Apocalypse, not a lot has been said about the other Asylum film out in the next few days, the apocalyptic numerological thriller 11/11/11, directed by Keith Allan and written by Allan & Kiff Scholl. Allow me, then, to talk about it, as I have just seen it.

Plot-wise, 11/11/11 concerns a set of parents, Jack (Jon Briddell) and Melissa (Erin Coker), who become increasingly alarmed at their son Nat(Hayden Byerly)'s erratic and violent behavior. And they have every right to be: seems Nat isn't just acting up, he's the key to the whole freaking Apocalypse, which is nigh, people, and only two weeks away in real time - 11/11/11, the kid's birthday. Helluva set-up.


As usual, I'll refrain from spoilers, but suffice it to say, what we have here is a taut, well-paced, dramatic, suspenseful, sinister and bloody thriller of Biblical proportions, literally. It's a film that opens with a bang - several of them, actually - and ends even more explosively. Think equal parts The Omen, The Stepford Wives and Rosemary's Baby; a heady cocktail, believe me.


The cast has a lot to do with 11/11/11's success: whether principles or supporting, most everyone here brings their A-game. Briddell plays the father as concerned to the point of angered frustration, a powerful but helpless man, and is appropriately tortured. Coker as his wife - though bedridden much of the film - is the fragile heart of the story, delusional with fear and medication and burdened by an unbelievable truth she shares alone. But it's Byerly as the son who practically steals the show. He's stoic, soft-spoken but rigid, not sheepish, plain-faced and pensive until he needs to erupt and then the boy's a true devil. Kid's got chops, and they're on full display here.




Then there's the deep supporting cast, the characters who make up the neighbors and townsfolk with an eerie interest in the boy's upcoming birthday: Tracy Pulliam as bossy, busy-body realtor Janice; David Bertolami and Rebecca Sigl as Chris and Sarah, the too-nice neighbors with spooky lingering stares; Nicholas S. Williams as Mick, the mentally-challenged truth-speaker; Greg Wall as Mike the janitor; co-screenwriter Kiff Scholl and Melissa Wintringham as over-perky joggers Brian and Marie - this one really is a team effort, with everyone turning in convincing performances. 


The two standouts of the supporting cast, in my opinion, have to be Madonna Magee as Annie, the creepy-kooky stalker old lady next door with a heart of gold, a load of hard-earned wisdom and a touch of good, old-fashioned madness; and Aurelia Scheppers as Denise, the "nanny" and the film's sultry femme fatale - think a smarter, more dangerous Megan Fox.


Add to this fine story and these stellar performances the once-again spot-on musical score of Chris Ridenhour (really, this guy, like Asylum productions in general, gets better every film. I want a box set of his scores) and sweeping, approaching-epic direction of Allan, and it all equals a thrilling, brutal, convincingly-frightening and horribly plausible film - numerically and Biblically speaking - well-executed by all. 

In all honesty, I really liked the crap out of this one; it's one of my favorites of the year, I think. But don't take my word for it, see for yourself this Tuesday, November 1st, when 11/11/11 hits DVD, just in time for you to get your affairs in order. I'm kidding. I hope.

inmate profile: Nick Lyon


Wrapping up Committed's spotlighting of the creative talent behind Zombie Apocalypse, premiering Saturday night at 9pm on SyFy, we turn lastly to the man who brought these wonderful acting and writing talents together, along with dozens of other elements: director Nick Lyon.

Originally from the beautiful city of Portland, Oregon (where I currently reside), Lyon moved to Germany and furthered his film studies. To date he has directed six feature films: I Love You, Baby with Oscar-winner Maximillian Schell, the award-winning indie drama Punk Love, and five TV events - Grendel, Annihilation Earth, Species: The Awakening, Bermuda Triangle Northsea and now Zombie Apocalypse. 

Of these, I've only seen Species: The Awakening, and though a few beers in at that point, I remember liking it. Regardless of my imbibing approval, the bottom line is that this film is in a pair of very experienced hands with a good feel for the genre and a solid track record. 

Find out for yourself Saturday night, 9 o'clock, SyFy, when Zombie Apocalypse makes its world premiere. And if you're on the West Coast, don't forget to stop by for my live blog event: just me, a TV, theme food and real-time. Should be at the least interesting.  

inmate profile(s): Craig Engler & Brooks Peck

With only days before the world television premiere of the latest Asylum production, Zombie Apocalypse, Committed has been taking a look at the talent behind this neo-horror classic-in-waiting; already this week I've featured actors Ving Rhames and Taryn Manning. Now we go behind the camera, to the page, in fact, with a look at writers Craig Engler and Brooks Peck.

Mr. Engler has an extensive bio over at his blog-to-be, the long and short of which is back in the late 90's he started a Sci-Fi web 'zine that the Sci Fi Channel first licensed content from then purchased, putting him in charge of their online presence. Today he is the Senior Vice President and General manager of SyFy Digital. So if you follow SyFy on Twitter - which you totally should, it's a lifeline to everything about TV's coolest channel - you're following this guy. Basically, the dude knows SyFy movies better than most people on the planet, so of course you can count of Zombie Apocalypse hitting every note just right. 

But Mr. Engler isn't alone in this endeavor, his co-writer, Brooks Peck also helped forge this horrific, splendid nightmare of a film. And apparently the two work well together, because they have also penned a film I'm instantly dying to see, Rage of the Yeti, with 3 Musketeers' and Born Bad's David Chokachi. I couldn't find as much info online about Mr. Peck, but guaranteed the guy knows his creature features. SyFy doesn't hire chumps.

Find out for yourself just how awesome a plot these two wordsmiths have concocted THIS SATURDAY NIGHT @ 9PM when Zombie Apocalypse gets its world premiere on SyFy.

Take This Lollipop - Trust Me!!!

I'm not going to say too much because I don't want to spoil any of this, but take a minute and head over to www.takethislollipop.com for one of the most frighteningly-interactive uses of the internet I've ever seen. The site, designed by the older brother of Asylum producer David Michael Latt, features Bill Oberst Jr. (A Haunting in Salem, Princess and the Pony, Born Bad) in a role he was born to play and is absolutely perfect for. So go, check it out, but you've been warned...

inmate profile: Taryn Manning

Continuing to spotlight the cast and crew of The Asylum's next release, Zombie Apocalypse, premiering THIS SATURDAY NIGHT ON SYFY @ 9PM, we turn now to the lovely and talented Taryn Manning.

Hailing from the painted terrain of Tuscon, Arizona, Ms. Manning quickly took to the screen, landing her first role at only 16 in the star-launching Nickelodeon series "All That." But it was her turn in 2001's Kirsten-Dunst vehicle Crazy/Beautiful - in which Ms. Manning was first able to showcase her saucy/sultry/sassy side - that the world really took note. 

From there she went on to appear in a spate of films, including the Britney-Spears-starring Crossroads, 8 Mile with Eminem, White Oleander, Cold Mountain, Hustle & Flow, The Breed, and most recently, multiple-episode arcs of television shows "Sons of Anarchy" (one of my favorite programs) and "Hawaii Five-0." 

In addition to her accomplishments on screen, Ms. Manning is also a singer-songwriter - both with her borther Kellin in Boomkat and on her own as a solo artist - and a fashion designer - she co-owns a label called Born Uniqorn, which she also designs for. She was also the cover girl for this year's Playboy Sex & Music issue back in April. Busy lady.

In Zombie Apocalypse, she plays "Ramona," another of the survivors fighting their way across an undead-plagued Los Angeles towards a supposed-sanctuary on Catalina Island. Find out if she brings her usual moxie to the role THIS SATURDAY NIGHT @ 9PM ON SYFY when Zombie Apocalypse makes its world premiere.

3 Musketeers on DVD Today!!!

That's right, my fellow faithfully-committed, today's the days our inner action heroes have been waiting for, the DVD release of The Asylum's take on one of the greatest adventure stories ever told, Alexandre Dumas' 3 Musketeers

 
In The Asylum's version, of course - conceived by debut screenwriter Edward DeRuiter and directed by Cole McKay of 200MPH renown - the swords have been exchanged for automatic weapons and the swashbuckling grace switched out for free-running mixed martial arts. Expect rad fight sequences, thrilling chases and crazy explosions, enacted brilliantly by Heather Hemmens, Xin, Michele Boyd, Alan Rachins, David Chokachi and more. I'm still waiting to get my hands on a copy, but the second I do, I'll post my thoughts.

In the meantime, run, don't walk, to your local independent video store, or Netflix, and procure your copy of this sure-to-be action classic post haste!!!

2 Headed Shark Attack Gets a New Release Date


Never fear, though, we shan't have to wait much longer than originally expected. 2 Headed Shark  Attack - my 2nd script for The Asylum based on a story by Edward DeRuiter, directed by Christopher Olen Ray and starring, among others, Carmen Electra, Brooke Hogan and Charlie O'Connell - has been pushed back from its street date of January 17, to January 31st, 2012. A measly two weeks, an well-worth the wait for what is quickly becoming one of the most anticipated film of the year. 



So drill that into you head, and tell everyone you know: 2 Headed Shark Attack on DVD January 31st, 2012.

inmate profile: Ving Rhames


With the world premiere of Zombie Apocalypse THIS SATURDAY NIGHT ON SYFY @ 9PM, there isn't a lot of time to spotlight the various talent behind this soon-to-be genre classic, so let us make haste and dive right in with the man himself, the star of Zombie Apocalypse and - with all due respect to everyone else, you guys all know I'm a fan - the single biggest star to grace an Asylum flick to date: Ving Rhames.

I don't have to tell you who Ving Rhames is, you know who Ving Rhames is, and if you don't know who Ving Rhames is, it's time to leave the pack of wolves that raised you and step into the real world. Ving Rhames is a veteran actor with a wide range of roles in more than 100 projects over the last 25 years, including Michael Mann's "Crime Story" and "Miami Vice," Paul Schrader's Patty Hearst and Brian DePalma's Casualties of War, Adrian Lyne's Jacob's Ladder, David Mamet's Homicide, Wes Craven's People Under The Stairs, his star-making turn as "Marcellus Wallace" in Quentin Tarantino's Pulp Fiction, a recurring role in four Mission Impossible movies as "Luther," turns in Striptease, "ER," Rosewood, Con Air, Out of Sight, Entrapment, Bringing Out the Dead, Undisputed, Dawn of the Dead, "Kojak," Day of the Dead, and as "Deputy Fallon" in Piranha 3D, Piranha 3DD and Shark Night 3D. 

But what I remember most fondly about Ving Rhames is both his Golden-Globe winning performance as legendary boxing promoter Don King in the HBO Original Movie "Don King: Only in America," and his acceptance of said Golden Globe: he instead gave it to Hollywood legend Jack Lemmon, who had been nominated in the same category for his turn in the William Friedkin take on 12 Angry Men. That was the single classiest moment of entertainment history I ever personally witnessed - via television, of course - and as Jack Lemmon was and is a personal favorite of mine, one of the most touching moments, as well*. Ving Rhames: helluva actor, helluva guy.

In Zombie Apocalypse Ving plays "Henry," and while there isn't much known about his character, from the pictures you can pretty much tell he's playing the Badass. Find out for yourself when you and every single person you know tunes in to SyFy this Saturday Night, October 29th at 9pm for the world premiere of the latest Asylum masterpiece, Zombie Apocalypse.

*it also set up one of the funniest moments in Golden Globe history: the next year, when Jack Lemmon actually won the award in the same category for "Tuesdays With Morrie," the first thing he said upon taking the stage was (paraphrasing), "In the spirit of Ving Rhames, I'd like to give this award to Jack Lemmon."